by Steven Brutus ‧ RELEASE DATE: Aug. 11, 2012
A succinct philosophical discussion on the history and development of aesthetics.
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Brutus (Important Nonsense, 2012) presents a slim, concise volume covering a broad history of aesthetics ranging from the ancient philosophers to the postmodern era.
Brutus supplies an excellent, thorough introduction to the philosophy of art. He draws upon a variety of sources across the ages, including both Eastern and Western thinkers. The author rightly notes that conversations surrounding aesthetics and art can be difficult from the start, given the various opinions on whether it’s a subject that should even be broached. Despite these difficulties and differences, Brutus uses a clear, readable style that renders this complex topic accessible. This is not surprising since he spends a fair amount of time analyzing the barriers the human language can present when attempting to grasp such a historically ungraspable concept. His selection of quotes demonstrates how even famously articulate people have trouble finding “the right words to express the urgent things we want to say.” Perhaps the author’s experience as a teacher enables him to condense so many big ideas into such tightly worded paragraphs. This may also explain his uncharacteristically passionate commentary on the efforts of totalitarian societies to restrict and reduce art to mere propaganda, especially through education. He notes, “Much of what passes for ‘education’ in human history is more accurately described as mind control by means of physical and psychological torture.” Brutus includes several pages of quotes and commentaries from those who did find the right words to express the urgent things they wanted to say about the age-old questions about art, and all of them provide rich ideas to ponder.
A succinct philosophical discussion on the history and development of aesthetics.Pub Date: Aug. 11, 2012
ISBN: 978-1470167035
Page Count: 126
Publisher: CreateSpace
Review Posted Online: Oct. 25, 2012
Kirkus Reviews Issue: Jan. 1, 2013
Review Program: Kirkus Indie
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by C.S. Lewis ‧ RELEASE DATE: June 15, 1958
Internationally renowned because of his earlier books, among them tape Letters, Surprised by Joy, Mere Christianity, C. S. Lewis making religion provoking, memorable and delightful is still more latest Reflections on the Psalms. Though he protests that he writes learned about things in which he is unlearned himself, the reader is likely thank God for his wise ignorance. Here especially he throws a clear lightly or not, on many of the difficult psalms, such as those which abound with and cursing, and a self-centeredness which seems to assume' that God must be side of the psalmist. These things, which make some psalm singers pre not there, have a right and proper place, as Mr. Lewis shows us. They of Psalms more precious still. Many readers owe it to themselves to read flections if only to learn this hard but simple lesson. Urge everyone to book.
Pub Date: June 15, 1958
ISBN: 015676248X
Page Count: 166
Publisher: N/A
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1958
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by David Brooks ‧ RELEASE DATE: April 21, 2015
The author’s sincere sermon—at times analytical, at times hortatory—remains a hopeful one.
New York Times columnist Brooks (The Social Animal: The Hidden Sources of Love, Character and Achievement, 2011, etc.) returns with another volume that walks the thin line between self-help and cultural criticism.
Sandwiched between his introduction and conclusion are eight chapters that profile exemplars (Samuel Johnson and Michel de Montaigne are textual roommates) whose lives can, in Brooks’ view, show us the light. Given the author’s conservative bent in his column, readers may be surprised to discover that his cast includes some notable leftists, including Frances Perkins, Dorothy Day, and A. Philip Randolph. (Also included are Gens. Eisenhower and Marshall, Augustine, and George Eliot.) Throughout the book, Brooks’ pattern is fairly consistent: he sketches each individual’s life, highlighting struggles won and weaknesses overcome (or not), and extracts lessons for the rest of us. In general, he celebrates hard work, humility, self-effacement, and devotion to a true vocation. Early in his text, he adapts the “Adam I and Adam II” construction from the work of Rabbi Joseph Soloveitchik, Adam I being the more external, career-driven human, Adam II the one who “wants to have a serene inner character.” At times, this veers near the Devil Bugs Bunny and Angel Bugs that sit on the cartoon character’s shoulders at critical moments. Brooks liberally seasons the narrative with many allusions to history, philosophy, and literature. Viktor Frankl, Edgar Allan Poe, Paul Tillich, William and Henry James, Matthew Arnold, Virginia Woolf—these are but a few who pop up. Although Brooks goes after the selfie generation, he does so in a fairly nuanced way, noting that it was really the World War II Greatest Generation who started the ball rolling. He is careful to emphasize that no one—even those he profiles—is anywhere near flawless.
The author’s sincere sermon—at times analytical, at times hortatory—remains a hopeful one.Pub Date: April 21, 2015
ISBN: 978-0-8129-9325-7
Page Count: 320
Publisher: Random House
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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