Compelling, chilling, and completely satisfying, with lots of knowing jokes for the fans and plenty of scope for more...
Belated sequel to Gould’s fine debut (Jumper, 1992) involving teleportation, spooks, and paranoia.
Davy Rice is the only person in the world who can “jump,” meaning teleport himself instantly from place to place. Previously, he became involved with the NSA—doing only those jobs that didn’t conflict with his own ethical sense. But this time, when he jumps to Washington, DC, to meet Brian Cox of the NSA, bad hats drug him and murder poor Brian. Days later, Davy wakes—chained (he can't jump out of them) and implanted with a device that causes uncontrollable vomiting and convulsions if he attempts to jump away or misbehave. Meanwhile, Davy’s therapist wife, Millie, abandoned in their west Texas mountain hideaway, waits in vain for him to return. Eventually, she’s forced to attempt to climb down the cliff, falls—and finds that from sheer terror she’s jumped to their condo in Stillwater, Oklahoma! Swiftly Millie teaches herself to jump voluntarily, and contacts NSA agent Thomas P. Anders. The latter doesn’t know who snatched Davy, but suspects another agency—or even higher-ups in the NSA itself. As Davy’s forced to accept his captors’ conditioning, and work for them moving people and things around the globe, he begins to discover other dimensions to his talent. Millie teams up with Becca Martingale of the FBI (Anders has been sidelined) to uncover Davy’s trail. It leads to Martha’s Vineyard and a huge old house belonging to one Lawrence Simons, a shadowy figure who rubs shoulders with government bigwigs.
Compelling, chilling, and completely satisfying, with lots of knowing jokes for the fans and plenty of scope for more sequels.Pub Date: Dec. 1, 2004
ISBN: 0-312-86421-3
Page Count: 384
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
The first installment of an effortlessly readable series that could be the illegitimate love child of Terry Pratchett and...
The debut novel from Australian actor Arnold is a fusion of paranormal fantasy and mystery set in a world where magic has been effectively destroyed by humans, forcing the supernatural population to live a radically diminished existence.
Fetch Phillips is a “Man for Hire,” which is another way of saying the down-on-his-luck, hard-drinking former Soldier–turned-detective will do just about anything to pay the bills. When a principal from a cross-species school enlists him to find a missing professor—a 300-year-old Vampire named Edmund Rye—Phillips quickly agrees. Without magic, the Vampires—and all other supernatural beings—are slowly dying. So how difficult could it be to find a withered bloodsucker who is so weak he can hardly move around? After visiting Rye’s last residence—a secluded loft space in the local library filled with the Vampire’s research and writings—Phillips discovers that one of Rye’s students is missing as well: a young Siren named January. His investigation becomes complicated when more Vampires turn up dead and he is almost killed himself. While the mystery element of the storyline is a bit thin, the focus on meticulous worldbuilding and highly detailed backstory as well as the cast of fully developed and memorable characters (Simms, the reptilian cop; Peteris, the disfigured half-werewolf; etc.) are unarguable strengths. But the real power here is in Arnold’s use of imagery throughout. His unconventional descriptive style brings a richness and depth to the narrative. Pete’s smile is “like a handbag with a broken zipper,” and the sound of Phillips’ falling from a building is “like someone stepping on an egg full of snails.”
The first installment of an effortlessly readable series that could be the illegitimate love child of Terry Pratchett and Dashiell Hammett.Pub Date: Feb. 25, 2020
ISBN: 978-0-316-45582-4
Page Count: 368
Publisher: Orbit/Little, Brown
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
PERSPECTIVES
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...
Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.
Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.Pub Date: Oct. 1, 2019
ISBN: 978-1-250-31307-2
Page Count: 448
Publisher: Flatiron Books
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
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