The modern novel’s version of a Möbius strip, written with verve and a vast appreciation for the power of language.
The son of a world-famous writer plays a literary cat-and-mouse game with his late father’s enigmatic protégé.
Fourteen years ago, Hall unleashed an original and inventive debut, The Raw Shark Texts (2007). With this follow-up, he delivers an equally phantasmagoric novel with shades of Stephen King’s The Dark Half. This confessional is narrated by Thomas Quinn, an unsuccessful writer whose wife, Imogen, is off on some kind of live-streamed Big Brother–type experiment. This leaves Thomas time to drink whiskey and contemplate the legacy of his late father, Stanley Quinn, a famous novelist and lousy dad. Even worse than his father, Thomas has been living under the long shadow of Andrew Black, once Stanley's assistant and for all intents and purposes his favored “son." Black is famous for Cupid’s Engine, a bestselling magnum opus about a fedora-wearing private eye, while Thomas’ sole novel, The Qwerty Machine Gun, was a dismal failure. The relationship changes when Thomas receives an envelope from the reclusive Black: Along with a photograph of a black sphere, there's a note saying, "Thomas, What do you think this is?" Hall delights in playing with typography, and early on he starts dropping in passages shaped like leaves as well as a seven-page illustration of the physics theorem that lends the novel its title. There’s really nothing like this book—long contemplations of philosophy, personality, religion, and history are all woven into something of a mystery in which no one is truly reliable. With influences that recall Fight Club and Motherless Brooklyn, Hall manages to put a whole world on the page that shifts and changes as weirdly and wildly as the ones in the novel’s fictional books.
The modern novel’s version of a Möbius strip, written with verve and a vast appreciation for the power of language.Pub Date: April 6, 2021
ISBN: 978-0-8021-4920-6
Page Count: 352
Publisher: Grove
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
One of the noblest characters in American literature gets a novel worthy of him.
Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.
This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.
One of the noblest characters in American literature gets a novel worthy of him.Pub Date: March 19, 2024
ISBN: 9780385550369
Page Count: 320
Publisher: Doubleday
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
PERSPECTIVES
PERSPECTIVES
If you love good crime writing but aren’t familiar with Winslow’s work, read this trilogy in order.
The dramatic conclusion to the trilogy about two New England crime families begun in City on Fire (2022) and City of Dreams (2023).
Near the end of his journey, multimillionaire Danny Ryan watches a casino implode in a mushroom cloud of dust and muses about his life’s implosions: “The cancer that killed his wife, the depression that destroyed his love, the moral rot that took his soul.” Danny is from Providence, Rhode Island, and desperately tried to leave his criminal life behind him. But using a ton of ill-gotten gains, he invests heavily in Las Vegas properties. Congress is conducting an investigation into gambling that could destroy his casino business and even land him in jail. An FBI agent plans to take Danny down for major sins he’d like to repent for. Meanwhile, can he make peace with his enemies? Nope, doesn’t look like it. Even if the parties involved want to put the past behind them, the trouble is that they don’t trust each other. Is Vern Winegard setting Dan up? Is Dan setting Vern up? “Trust? Trust is children waiting for Santa Claus.” So what could have been a “Kumbaya,” nobody-wants-to-read-this story turns into a grisly bloodletting filled with language that would set Sister Mary Margaret’s wimple on fire—figuratively speaking, as she’s not in the book. But the Catholic reference is appropriate: Two of the many colorful characters of ill repute are known as the Altar Boys, serving “Last Communion” to their victims. On the law-abiding side and out of the line of fire is an ex-nun-turned-prosecutor nicknamed Attila the Nun, who’s determined to bring justice for a gory matricide. (Rhode Island really had such a person, by the way.) Finally, the prose is just fun: A friend warns Dan about Allie Licata: “In a world of sick fucks, even the sick fucks think Licata’s a sick fuck.” A couple of things to note: This not only ends the trilogy, but it also closes out the author’s career, as he has said he’ll write no more novels.
If you love good crime writing but aren’t familiar with Winslow’s work, read this trilogy in order.Pub Date: April 2, 2024
ISBN: 9780063079472
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
PROFILES
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