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THE SOUL OF A THIEF

A fast-moving plot and vivid characters make this a most satisfying read.

A Waffen SS colonel plans to profit from World War II while his adjutant hopes to survive it in this tale of good and evil, sex and love.

Young Cpl. Shtefan Brandt looks fit and Aryan, so Col. Himmel chooses him as his adjutant. Himmel is a dashing hero who leads his men on daring raids against the Allies without “a bone of fear in his body.” Brandt is Catholic, but he’s terrified that Himmel will find out that he's mischling—he had a Jewish great-grandmother. Fortunately, "for an assassin, a brigand, a tyrant and a thief, my master did have his good points,” such as never checking Brandt’s background. The thoroughly apolitical Himmel knows Germany is losing the war, and he schemes to steal the Allied payroll from a train. Characters are well-portrayed—Shtefan is upright, principled, even virginal until Himmel orders him to bed a woman. He fears disappointing his master, who can put a bullet in his head at any time. In occupied France, they see the beautiful 18-year-old Gabrielle Belmont, whose parents have been executed. The hateful Himmel takes her as his unwilling mistress—if she refuses, he’ll make certain her townsfolk die—but both men are smitten with her. In time she secretly loves Shtefan, but both live “only at the Colonel’s whim,” so if they even hint at their feelings they will both die. Himmel reveals his robbery plan to Shtefan, which includes them and Gabrielle absconding to South America with the loot. But Shtefan hopes to steal both Gabrielle and some of the money from Himmel. Disgusting as the colonel is, he’s an insightful man. Knowing from an intercepted letter that Shtefan’s mother has just been sent to Dachau, he tells his adjutant that “In the end, your kind will find my kind.”

A fast-moving plot and vivid characters make this a most satisfying read.

Pub Date: April 17, 2018

ISBN: 978-1-335-14457-7

Page Count: 304

Publisher: Hanover Square Press

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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