by Steven Henry Laskin ‧ RELEASE DATE: Dec. 18, 2018
A broad but entertaining mystery built on alternative history.
Laskin tells the story of a bookseller who finds himself pursued by shadowy forces in this debut bibliophilic thriller.
Seattle, 1975. Carl Traeger is a bookshop owner who doesn’t really like books. Books were the passion of his recently deceased lover and business partner, Paul, whose sudden death has left the 34-year-old Vietnam vet trying to figure out how to keep the business from going under. Additionally, Carl has just learned that his Aunt Sophie, who escaped Nazi Germany, has died. As if this wasn’t stressful enough, he is held up at gunpoint at night in the store by a man who demands to know where “it” is—though Carl has no idea what he means. Carl manages to disarm the man, but when he returns to his home later that night, he finds it ransacked. He flies to Philadelphia to settle his aunt’s estate, where a note left for him by Sophie tells him about a book that her Nazi husband smuggled out of Germany during the war: “I did not have the courage to destroy the book while I had the chance,” writes Sophie. “But I ask you to destroy it. Destroy it immediately. There is evil connected to that book. I can feel it.” Carl retrieves the book from a safe in his aunt’s house—which has also been ransacked—and returns to Seattle. Despite his aunt’s warning, he’s reluctant to destroy it before learning what it means. The harassment by unknown parties continues, but, with the help of the handsome gay police officer Randy McCutcheon, Carl figures out that it isn’t the book that these men are after but what’s hidden inside its binding: a birth certificate from April 20, 1889, that implies that Adolf Hitler had a twin brother! Now Carl’s task isn’t just surviving, but learning what secret organization is so interested in this information…and what living Hitlers may still be lurking in the shadows. Laskin’s prose is taut and punchy, animated by an enthusiasm for the cloak-and-dagger machinations of the plot: “Someone wanted the book I had, badly enough to demolish my house and threaten my life with a pistol-packing goon. There was, therefore, no reason to assume they would hesitate to shoot first and ask questions later. So if I didn’t hand over the book like a good boy…my lease on life would be terminated prematurely.” The plot is, on its face, more than a little ridiculous, though Laskin plays it straight, allowing the hardboiled atmosphere to go mostly unpunctured despite some of the cartoonish developments. In the end, the novel works pretty well: The paranoia and fears of Nazi persecution read as a kind of cinematic projection of Carl’s grief over the death of Paul and his gay identity that he is forced to hide from society. The final product is more National Treasure than The Da Vinci Code—the revelations don’t ever pack much of a punch—but a likable cast of characters and an evergreen villain ensure a reading experience that is legitimately enjoyable.
A broad but entertaining mystery built on alternative history.Pub Date: Dec. 18, 2018
ISBN: 978-1-73281-701-2
Page Count: 210
Publisher: Enrapture Publishing
Review Posted Online: Feb. 14, 2019
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Michael Crichton ‧ RELEASE DATE: Nov. 7, 1990
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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