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BY THE DAWN'S EARLY LIGHT

THE STORY OF THE STAR-SPANGLED BANNER

A handsomely illustrated account of the writing of our national anthem, in its historical context. Beginning with a note on the War of 1812 and concluding with one on the later history of Key and his poem, the prolific Kroll's narrative is straightforward, though sometimes unclear, especially in explaining the intricacies of how Key came to witness the battle as a ``hostage'' (a misnomer: he had arrived under a flag of truce to free a friend—a mission in which he was successful; but they were simply detained during the battle). Key's approach to the British was courageous and, to modern eyes, extraordinary; unfortunately, the text's lack of clarity undermines its inherent drama. Andreason's formally composed realistic paintings are more effective; his skillful characterizations bring the events to life, while period detail and a nicely understated golden aura evoke the setting and the story's legendary status. Full text with piano score; map; bibliography of 12 children's books, 1935- 1988; index. (Nonfiction. 5-9)

Pub Date: Feb. 1, 1994

ISBN: 0-590-45054-9

Page Count: 40

Publisher: Scholastic

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 1, 1994

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ELEANOR

"From the beginning the baby was a disappointment to her mother," Cooney (The Story of Christmas, 1995, etc.) begins in this biography of Eleanor Roosevelt. She is a plain child, timid and serious; it is clear that only a few people loved her. After her parents die, she is cared for in the luxurious homes of wealthy relatives, but does not find acceptance until she arrives in a British boarding school, where she thrives on the attention of the headmistress, who guides, teaches, and inspires her. Cooney does not gloss over the girl's misery and disappointments; she also shows the rare happy times and sows the seeds of Eleanor's future work. The illustrations of house interiors often depict Eleanor as an isolated, lonely figure, her indistinct face and hollow eyes watching from a distance the human interactions she does not yet enjoy. Paintings reveal the action of a steamship collision; the hectic activity of a park full of children and their governesses; a night full of stars portending the girl's luminous future. The image of plain Eleanor being fitted with her first beautiful dress is an indelible one. Readers will be moved by the unfairness of her early life and rejoice when she finds her place in the world. An author's note supplies other relevant information. (Picture book/biography. 5-9)

Pub Date: Oct. 1, 1996

ISBN: 0-670-86159-6

Page Count: 40

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TWENTY-ONE ELEPHANTS AND STILL STANDING

Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)

Pub Date: Sept. 26, 2005

ISBN: 0-618-44887-X

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2005

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