Lubliner (A Child’s Christmas in Queens, 2014) takes on presidential politics in this satirical novel.
Fillmore Pipp is an inoffensive Democratic president, notable only for the way in which his supporters project their feelings onto him: “Fillmore Pipp was the candidate of the well-spoken people who not only knew where they stood but took the lazy scenic route to get there.” It’s particularly off-brand, then, when Pipp makes a sex tape and allows his partner to keep a copy. His real dread is that if the tape is publicly released, America will learn of the smallness of his reproductive anatomy. It’s an urgent danger, as the Republican challenger to his re-election campaign is the hippie-turned–male enhancement guru Mel Kriegman, who’s known to be particularly well-endowed. Even worse, Pipp’s sex tape co-star, Mandy, gets recruited by a malcontent blogger to mount a third-party candidacy at the head of a movement known as the “Brown Baggers,” who symbolically express their dissatisfaction with the status quo by defecating in public while extending both middle fingers. The three-way contest quickly turns into a race to the bottom as each candidate attempts to sift through the muck to find the soul of the American voter. As sophomoric and scatological as this novel’s premise may sound, Lubliner’s America doesn’t seem so foreign from our own—particularly in the current election cycle. The prose is sharp and playful (“He was marked to be a leader of men because he was unfit for anything else”), and the author manages to sell ideas that would certainly fall flat in less able hands. The book benefits from its brevity (it’s only 120 pages long) and the fact that Lubliner keeps the plot skipping along quicker than readers can overthink its ridiculousness. Those looking to dive deeper into presidential campaign madness—rather than escape from it—could do much worse than this comic interpretation of our ever devolving politics. A slim, funny satire of America’s electoral culture.
Pub Date: July 9, 2016
ISBN: 978-1-5309-7129-9
Page Count: 132
Publisher: CreateSpace
Review Posted Online: Sept. 29, 2016
Kirkus Reviews Issue: Nov. 15, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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