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GEORGE IV

INSPIRATION OF THE REGENCY

A worthy entry to the literature devoted to the Regency.

An unflattering portrait of the early-19th-century British monarch.

George, son of the Hanoverian king George III, was “witty, foppish and extravagant,” devoting his considerable energies to affairs of the bedroom rather than to affairs of state, firmly convinced of his brilliance and infallibility—and, royal-watcher Parissien writes, perhaps not a little loony, the victim of the porphyritic illness that had stricken his father (and inspired Alan Bennett’s play The Madness of King George). For his troubles, writes Parissien (Paul Mellon Center for the Study of British Art/Yale Univ.), George IV earned a place as “the most caricatured monarch in British history.” Satirists had much to work with: George was fond of second-tier Northern European art; collected castles and palaces, spending whole fortunes on restoring and redecorating them; liked to dress up in military garb and, furthermore, believed himself to have been present at battles against Napoleon when he in fact had been safe at home. Though his faults may have been forgivable and, considering the history of the British monarchy, not so terrible, George’s biggest offense may have been to believe his own press and to have offended English sensibilities with “blatant self-promotion.” Mostly he emerges from Parissien’s pages as clueless, not evil; readers may themselves be forgiven for extending to the poor man a few sympathies, especially after seeing how the likes of Lord Byron, Percy Bysshe Shelley, and even Jane Austen rebuffed his offers of patronage (in exchange, one assumes, for a few nice words said about him). Despite his own sympathetic approach, Parissien closes by observing, “George merely succeeded in rendering the monarchy increasingly superfluous to the process of government and the life of the nation.”

A worthy entry to the literature devoted to the Regency.

Pub Date: April 15, 2002

ISBN: 0-312-28402-0

Page Count: 464

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 1, 2002

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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