by Steven Turner ‧ RELEASE DATE: Nov. 3, 2020
Solid insight into the work of a man whose gift undergirds one of the most important U.S. institutions of learning.
An assessment of the scientific achievements of the man whose surprise, never-fully-understood benefaction to the government created the Smithsonian Institution, now “the largest museum complex in the world.”
Along the way offering a biography of James Smithson (1765-1859), about whose life scant evidence remains, Turner concentrates principally on the experimental contributions by this “accomplished analytical chemist.” During Smithson’s era, “natural philosophy,” the ordinary science of its time, was breaking apart into today’s more specialized disciplines of chemistry, geology, mineralogy, and botany, all of which Smithson helped move forward. A multifaceted figure educated in an older tradition, Smithson adjusted to the rapidly evolving world of deductive research and, via associations throughout his native Britain and Europe, significantly advanced a number of the emerging sciences. After rerunning Smithson’s experiments, a substantial feat in its own right, Turner, a historian of science and emeritus curator of physical sciences at the Smithsonian National Museum of American History, convincingly refutes the charge that his subject was an “aristocratic science dabbler,” a charge largely based on his interest in practical applications, such as improving the process of coffee-making. While Turner’s experiment-by-experiment, article-by-article analysis can be tedious and principally of interest to historians of the sciences of Smithson’s era, the author makes a convincing case that his wide-ranging studies should be considered significant scientific achievements for their time. A never-married man, Smithson left his considerable fortune to his childless nephew. After that relative predeceased Smithson, upon his death, Smithson’s estate (worth a then-massive sum of $500,000), by direction of his will, was transferred to the U.S., a country he had never visited. By decision of Congress, his gift created the institution that bears his name, one dedicated grandly to “the increase and diffusion of knowledge.”
Solid insight into the work of a man whose gift undergirds one of the most important U.S. institutions of learning.Pub Date: Nov. 3, 2020
ISBN: 978-1-58834-690-2
Page Count: 320
Publisher: Smithsonian Books
Review Posted Online: Aug. 31, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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by Rachel Goldberg-Polin ‧ RELEASE DATE: April 21, 2026
Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.
Remembering “Hershy.”
Three hundred and twenty-eight days. That’s how long Hersh Goldberg-Polin was held in captivity—tortured and starved by his captors in underground tunnels—before he was executed. He was 23 years old. In this unvarnished and heartrending account, Goldberg-Polin’s mother, Rachel, writes of the unending torment that she and her husband, Jon, endured after learning that their son had been kidnapped by Hamas terrorists during the attacks of October 7, 2023. Like so many other young people on that day, Hersh was attending a music festival in Israel—a celebration of love and unity. As Goldberg-Polin writes, her son was “the only American citizen kidnapped alive on October 7th who did not return alive.” In direct, plainspoken language that steers clear of politics, the author, a Jewish educator, recounts “being in a daze of the most indescribably sickening horror and fear, like nothing I had ever felt in my life. I remember my heart racing and feeling like I was in a permanent state of someone scaring me.” In addition to “shovel[ing] out my pain in the form of words,” she shares reminiscences of her son, as well as details that only a parent could notice. “His eyes were cookies,” she says of her “Hershy.” “I couldn’t find the pupils within the dark chocolate-brown irises.…He had a raspy voice, even when he was a baby.” And: “I thought he was hilarious; his sarcasm and humor were similar to mine.” Hersh and his sisters, Leebie and Orly, adapted well to life in Israel after the family moved from Richmond, Virginia. (Hersh was born in the Bay Area.) After being discharged from his service in the Israeli army as a combat medic, he was planning to journey around the world—a longtime dream of his. “So many people have come to love you, Hersh,” Jon Polin writes in the book’s afterword. And with one simple word that has the power to touch any heart, he signs off: “Dada.”
Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.Pub Date: April 21, 2026
ISBN: 9798217198009
Page Count: 288
Publisher: Random House
Review Posted Online: April 21, 2026
Kirkus Reviews Issue: June 1, 2026
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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