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A MAN AND HIS SHIP

AMERICA'S GREATEST NAVAL ARCHITECT AND HIS QUEST TO BUILD THE SS UNITED STATES

Obsessed with ships, Gibbs seems a one-dimensional figure, but Ujifusa concentrates on his career, an excellent decision...

In his first book, historian Ujifusa delivers a delightful account of the era of grand ocean liners and the brilliant, single-minded designer who yearned to build the greatest ocean liner of all.

Almost entirely self-taught, William Francis Gibbs (1886–1967) grew up reading technical journals and blueprints and designing his own vessels. In 1915, he and his like-minded brother completed plans for the world’s largest and fastest superliner. Amazingly, they persuaded the directors of International Mercantile Marine Company (builder of the Titanic) to finance construction, but World War I halted the project. Setting up his own company in 1922, Gibbs made his name building modest liners for American companies. By this time, large luxury liners required government subsidies, so all of them were European. As World War II loomed, Gibbs became the leading designer for the U.S. Navy and Merchant Marine. It took the Cold War and energetic lobbying to achieve Gibbs’ dream. Agreeing that national defense required the ship as a potential troop carrier, the U.S. paid nearly two-thirds of the construction costs. Launched in 1952 to national acclaim, the SS United States was a technological triumph; rival liners never matched her speed, reliability or safety. Sadly, by the 1960s she was losing money; she retired in 1969.

Obsessed with ships, Gibbs seems a one-dimensional figure, but Ujifusa concentrates on his career, an excellent decision that results in a vivid account of the business, politics and technical details surrounding transatlantic travel in that time period.

Pub Date: July 10, 2012

ISBN: 978-1-4516-4507-1

Page Count: 464

Publisher: Simon & Schuster

Review Posted Online: May 6, 2012

Kirkus Reviews Issue: May 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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