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JUDY & LIZA & ROBERT & FREDDIE & DAVID & SUE & ME...

A MEMOIR

An unsparing look at the dark side of show business.

Adventures among the stars.

Agent and producer Phillips begins her candid debut memoir by recounting three miserable years as assistant to Judy Garland, “a demented, demanding, supremely talented drug addict,” a self-destructive drunk who lived on a cocktail of pills downed with limitless bottles of liebfraumilch. Enraptured with Garland from childhood, Phillips quickly became disillusioned with the woman she was charged to travel with, minister to, dress, feed, and, most of all, manage to get on stage. Despite feeling exploited and angry, Phillips admits that Garland served as “the lens through which I have seen, lived, and dealt with my life” and gave her “the armor to face the world.” As this sometimes-venomous and often very funny memoir shows, there were many deep chinks in that armor. After leaving Garland, the author became an agent at Creative Management Agency; her first client was 16-year-old Liza Minnelli, Garland’s “brilliant and lovely” daughter. Phillips took her under her wing, starting her on a dazzling career. After seeing her perform on TV variety shows, producers and directors clamored to hire her, and Phillips saw her own reputation rise. Along the way, she signed Robert Redford (“an actor who has both good looks and real ability”), Peter Sellers, David Bowie, and Barbra Streisand, among others. Planning to represent Liza exclusively, she resigned from CMA, where she had worked for 15 years. But Liza suddenly, and without explanation, dumped her, leaving her stunned, depressed, and unemployed. When friends invited her to see a musical production at the Actors’ Studio, she reluctantly dragged herself out of the house. That evening changed her life, and she decided to reinvent herself as a producer, starting with The Best Little Whorehouse in Texas.

An unsparing look at the dark side of show business.

Pub Date: June 2, 2015

ISBN: 978-1-250-06577-3

Page Count: 288

Publisher: St. Martin's

Review Posted Online: March 27, 2015

Kirkus Reviews Issue: April 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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