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SUPER SAND CASTLE SATURDAY

PLB 0-06-027613-4 This entry in the MathStart series explores the hazards of measuring in nonstandard units. Eager to win prizes from Larry the lifeguard for the tallest tower, longest wall, and deepest moat, Juan, Sarah, and Laura compare their sand castles; they discover that Sarah’s castle is three shovels tall while Juan’s is but two, Laura’s moat is one spoon deep while Juan’s is two, and Laura’s wall is five steps long to Sarah’s seven. However, as observant viewers will note, Sarah’s spoon is longer than Juan’s, her shovel and feet shorter. Wielding a tape measure, Larry explains why inches are more reliable units than spoons, etc. People and objects in Gorton’s simple air brushed cartoons stand out distinctly against the green ocean and sun-drenched sand, and lines of measurement are laid out for viewers to compare. With the small type activity notes at the end, this makes a pleasant, painless way for children (and dare we say adults?) to pick up some basic math methodology. For those who resist Larry’s strict notions, bring out Loreen Leedy’s blithe Measuring Penny (p. 270) for a more generous examination of nonstandard measurements. (Picture book. 6-8)

Pub Date: Jan. 31, 1999

ISBN: 0-06-027612-6

Page Count: 40

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1998

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TOUCH THE EARTH

From the Julian Lennon White Feather Flier Adventure series , Vol. 1

“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...

A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.

Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”

“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)

Pub Date: April 11, 2017

ISBN: 978-1-5107-2083-1

Page Count: 40

Publisher: Sky Pony Press

Review Posted Online: Feb. 3, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE FANTASTIC UNDERSEA LIFE OF JACQUES COUSTEAU

This second early biography of Cousteau in a year echoes Jennifer Berne’s Manfish: A Story of Jacques Cousteau (2008), illustrated by Eric Puybaret, in offering visuals that are more fanciful than informational, but also complements it with a focus less on the early life of the explorer and eco-activist than on his later inventions and achievements. In full-bleed scenes that are often segmented and kaleidoscopic, Yaccarino sets his hook-nosed subject amid shoals of Impressionistic fish and other marine images, rendered in multiple layers of thinly applied, imaginatively colored paint. His customarily sharp, geometric lines take on the wavy translucence of undersea shapes with a little bit of help from the airbrush. Along with tracing Cousteau’s undersea career from his first, life-changing, pair of goggles and the later aqualung to his minisub Sea Flea, the author pays tribute to his revolutionary film and TV work, and his later efforts to call attention to the effects of pollution. Cousteau’s enduring fascination with the sea comes through clearly, and can’t help sparking similar feelings in readers. (chronology, source list) (Picture book/biography. 6-8)

Pub Date: March 24, 2009

ISBN: 978-0-375-85573-3

Page Count: 40

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2009

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