A lovingly compiled art book full of wondrous images.

PAMELA COLMAN SMITH

THE UNTOLD STORY

Kaplan (The Encyclopedia of Tarot, 2006, etc.), with Greer (Who Are You in the Tarot?, 2011) and debut authors O’Connor and Parsons, offer a retrospective on artist and author Pamela Colman Smith.

Best known for providing the illustrations for the widely used Rider-Waite tarot deck, Smith was a late-19th-century traveler and polymath who’s only now, with this book’s publication, receiving acknowledgment for her full body of work. Born in London, England, to American parents, Smith spent much of her childhood in St. Andrew’s Parish, Jamaica, which led her to eventually collect and publish two books of local folktales. She was educated at the Pratt Institute in New York City, beginning a career as an illustrator that included work in 20 books and numerous magazine articles. She was also a celebrated painter, with her art appearing in galleries throughout Europe and the United States. As a reaction to the male-dominated world of publishing—“She occasionally referred to publishers in letters as ‘pigs’ and vented her frustrations over failing to place work and not receiving royalties”—Smith struck out on her own as a female pioneer in magazine publishing. She also toured as a performer of folktales and designed theater sets and costumes. By bringing together the work from different media and periods of her life, the authors present her as the multifaceted creator that she was, complete with discussions of her influences, ideals, aesthetics, and passions. The book displays photographs, sketches, notebook pages, paintings, prints, poems, and folktales in full color along with lengthy essays that place the works in proper context. The book is a collaboration by four tarot experts who are all well-acquainted with Smith’s oeuvre: Kaplan, who curates the bulk of Smith’s art, folktales, and poetry; O’Connor, who provides a detailed biography of Smith; Parsons, who offers insight and analysis on Smith’s work for the Rider-Waite deck, specifically; and Greer, who discusses Smith’s overall artistic legacy. The image of the artist that emerges in that of a woman at the crossroads of several of the most interesting creative communities of late-19th-century art: commercial illustration, the Celtic Revival, the spiritualist movement, and nascent children’s literature. From such time-honored source material, the authors argue, she fashioned a brand that was elegantly modern: “She pursued a career and did not marry or have children; instead, she surrounded herself with likeminded female friends....Pamela blended her interest in Irish and Jamaican folk tales into a personal mythology that celebrated freedom, fearlessness and independence of spirit.” The Rider-Waite tarot illustrations get their proper due, of course, but the book also succeeds in revealing Smith as an artist of larger significance. The artwork itself is beautifully rendered throughout, with many full-page, full-color prints for readers to explore. Tarot devotees will find much to appreciate, but so will fans of more famous illustrators, such as Howard Pyle, Arthur Rackham, and Maxfield Parrish. This work will hopefully help raise Smith’s profile as a true treasure of turn-of-the-century art.

A lovingly compiled art book full of wondrous images.

Pub Date: June 30, 2018

ISBN: 978-1-57281-912-2

Page Count: 440

Publisher: U.S. Games Systems

Review Posted Online: May 24, 2018

Kirkus Reviews Issue: July 1, 2018

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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