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THE LAST SEASON

A FATHER, A SON, AND A LIFETIME OF COLLEGE FOOTBALL

An affecting tale showing that you can go back home again.

A meditative memoir of a son, 60, and father, 95, bonding over college football.

As a strategist for the 2012 Mitt Romney campaign, veteran political consultant Stevens (The Big Enchilada: Campaign Adventures with the Cockeyed Optimists from Texas Who Won the Biggest Prize in Politics, 2001, etc.) felt so devastated by Romney’s loss that he had no idea what he might do next. “When was the last time I’d been really happy?” he asked himself. “What was it I really cared about in life?” Family and football, it turns out, would provide the key, allowing the man for whom the fall had become campaign season to revisit the boyhood when Saturday games with his father had been the highlights of his life. The result is an elliptical, evocative narrative that has ambitions beyond his scope, as the author’s accounts of the actual games with his spry and beloved father are just signposts in his story. It’s when he digs deeper into memory—about the civil rights clashes when he was coming of age with Ole Miss football and how his parents provided such a sterling example for racial equality—that this book about Saturdays with Dad is more than another stop-and-smell-the-roses, Tuesdays with Morrie–esque heart-tugger. Stevens explores his “complicated relationship with my Mississippi identity” and his ambivalence toward the racial privilege that allowed him to achieve his ambitions and toward those whose identity in the North was that of “ ‘professional southerners,’ those living in New York who tried to define themselves by some pretense that they came from a more genteel and cultured world.” What has remained undiminished is his love for football, for his father (and his mother, even with her Barack Obama bumper sticker), and for the time they have left together to enjoy the Ole Miss football experience that defined his boyhood.

An affecting tale showing that you can go back home again.

Pub Date: Sept. 18, 2015

ISBN: 978-0-385-35302-1

Page Count: 224

Publisher: Knopf

Review Posted Online: June 2, 2015

Kirkus Reviews Issue: June 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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