Longtime fans of the series who refuse to hold their breath waiting for these two plots to be connected—this is Woods, after...
New York lawyer Stone Barrington (Wild Card, 2019, etc.) celebrates his 50th appearance by bedding two new women, each of whom leads him to criminal complications.
Minding his own business lying on the deck of his yacht off Key West, Stone hears, then sees, an airplane falling from the sky. He dives into the water, pulls the pilot to safety even before a police chopper can arrive, and discovers that the rescue diver is a beautiful woman. Since Detective Max—don’t call her Maxine—Crowley of the Key West Police Department doesn’t believe in one-night stands, she and Stone don’t have sex till their second night together. By that time, someone has already relieved the wrecked plane of the watertight suitcases Stone saw perfectly well as he was grabbing pilot Al Dix, who disappears from the hospital shortly after a woman masquerading as a nurse tries to kill him. It’s only a matter of time before the plane itself vanishes, leading NYPD Commissioner Dino Bacchetti, an old friend of Stone's, to reflect sagely, “missing pilot, missing cargo, and now, missing airplane.” With nothing more than Max’s charms to keep him in Key West, Stone is soon back in New York, where he’s picked up at a bar by clothing designer Roberta Calder, who, on learning that Stone doesn’t sleep with married women, announces that she wants to divorce Randall Hedger, her estranged husband. To avoid an unseemly conflict of interest, Stone hands the proceedings over to his associate Herb Fisher, who’s doing a great job until the murders of Hedger and Robbie’s friend Estelle Parkinson, a socialite, make Robbie’s divorce unnecessary but accentuate her need for legal representation even further when she’s arrested for murder. With this many felonies to keep track of, it’s no wonder the cast consumes a record number of gimlets.
Longtime fans of the series who refuse to hold their breath waiting for these two plots to be connected—this is Woods, after all—will be pleasantly surprised when they do. Who said the age of miracles is past?Pub Date: Aug. 13, 2019
ISBN: 978-0-593-08313-0
Page Count: 320
Publisher: Putnam
Review Posted Online: May 12, 2019
Kirkus Reviews Issue: June 1, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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