Now that he’s graduated from the Yale School of Drama, Stone Barrington’s son Peter heads with his friends and movie collaborators, Ben Bacchetti and Hattie Patrick, on a road trip to La-La Land, little suspecting that a Russian mobster is determined to kill him.
At least that’s one of the plot strands here. Another is the continuing saga of Teddy Fay, the rogue CIA agent who takes to the road again after a stranger in his little North Carolina town looks funny at him. Teddy’s path crosses Peter’s in Paso Grande, N.M., where Teddy, using the alias Billy Burnett, has landed a job as a mechanic at a service station Peter pulls into after a blowout brings him within the sights of the two Russians following him in a Lincoln Navigator. Getting wind of their dastardly plan, Billy kills them both, buries them and the Navigator in a swimming pool–sized hole he digs with a backhoe, trades his recognizable Cessna for a nearly new JetPROP, and takes off for Las Vegas after telling Peter that the guys who were looking for him changed their minds and turned around. Peter’s too distracted by Centurion Studios’ upcoming production of his first movie to question this story, but Stone’s not. Meanwhile, Yuri Majorov, the mobster supposedly killed at the end of Unintended Consequences (2013)—yeah, right—not only isn’t dead, but vows to send more assassins after the two Teddy put in the ground in order to force Stone to sell him his interest in The Arrington, his wildly successful hotel. It’s only a matter of time before Peter offers Billy a job, and the one-time domestic terrorist joins forces with Stone to get Majorov for real. It’s a natural alliance, since both men are businesslike, resourceful, masters of many skills, quick on their feet and fond of casual sex.
The nonstop action is certain to keep fans turning pages, even though the figures Woods is putting through their paces are plot functionaries rather than characters in any meaningful sense.Pub Date: Oct. 8, 2013
ISBN: 978-0-399-16414-9
Page Count: 320
Publisher: Putnam
Review Posted Online: Aug. 17, 2013
Kirkus Reviews Issue: Sept. 1, 2013
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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
47
GET IT
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 10, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK REVIEW
BOOK TO SCREEN
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 6, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Categories: GENERAL THRILLER & SUSPENSE | SUSPENSE | FAMILY LIFE & FRIENDSHIP | SUSPENSE
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