As Stone continues to bed top women, buy every piece of real estate in sight, and vanquish the competition with the wave of...
In this moments-after sequel to Foreign Affairs (2015), Stone Barrington acquires an English country estate, a brand-new enemy, and a corpse on his front lawn.
The corpse, the least consequential of these three developments, is that of Sir Richard Curtis, Stone’s new neighbor when he purchases Windward Hall from Sir Charles Bourne, a dying family friend of Stone’s sometime lover Dame Felicity Devonshire, head of MI6. Wilfred Burns, a hermit who’s left the Royal Marines, where he served with Sir Charles and Sir Richard, to live quietly on the Windward grounds, promptly confesses to the crime and hangs himself in his cell. Stone’s not satisfied with the confession, but it’s hard for him (or the reader) to keep his mind on it when he’s preoccupied with an orgy of consumer spending—not just the Windward estate, but a splendid pair of paintings, a new Bentley, and a wardrobe suitable for a country squire—and the attentions of his new lover, interior decorator Susan Blackburn. Not to mention Dr. Don Beverly Calhoun, who’s taken offense at Hell’s Bells, the smashing new fictional film directed by Stone’s son, Peter, because he thinks it’s a libelous portrait of the Chosen Few, the religious cult he leads. Calhoun threatens lawsuits but delivers stalkers with guns, all of them handily confiscated by Stone’s colleagues in New York and Connecticut law enforcement. When Calhoun makes an offer on Curtis House, the prospect of having him as a neighbor is more than Stone can abide, and the two declare open war on each other. Complications ensue, but they’re never all that complicated.
As Stone continues to bed top women, buy every piece of real estate in sight, and vanquish the competition with the wave of a hand, you can’t help but be struck by his increasing resemblance to Donald Trump. Or is that suggestion grounds for a libel suit?Pub Date: Jan. 5, 2016
ISBN: 978-0-399-17468-1
Page Count: 320
Publisher: Putnam
Review Posted Online: Oct. 6, 2015
Kirkus Reviews Issue: Nov. 1, 2015
This thriller is taut and fast-paced but lacks compelling protagonists.
Three siblings who have been out of touch for more than 20 years grapple with their unsettling childhoods, but when the youngest inherits the family home, all are drawn back together.
At the age of 25, Libby Jones learns she has inherited a large London house that was held in a trust left to her by her birthparents. When she visits the lawyer, she is shocked to find out that she was put up for adoption when she was 10 months old after her parents died in the house in an apparent suicide pact with an unidentified man and that she has an older brother and sister who were teenagers at the time of their parents' deaths and haven't been seen since. Meanwhile, in alternating narratives, we're introduced to Libby's sister, Lucy Lamb, who's on the verge of homelessness with her two children in the south of France, and her brother, Henry Lamb, who's attempting to recall the last few disturbing years with his parents during which they lost their wealth and were manipulated into letting friends move into their home. These friends included the controlling but charismatic David Thomsen, who moved his own wife and two children into the rooms upstairs. Henry also remembers his painful adolescent confusion as he became wildly infatuated with Phineas, David’s teenage son. Meanwhile, Libby connects with Miller Roe, the journalist who covered the story about her family, and the pair work together to find her brother and sister, determine what happened when she was an infant, and uncover who has recently been staying in the vacant house waiting for Libby to return. As Jewell (Watching You, 2018, etc.) moves back and forth from the past to the present, the narratives move swiftly toward convergence in her signature style, yet with the exception of Lucy’s story, little suspense is built up and the twists can’t quite make up for the lack of deep characters and emotionally weighty moments.
This thriller is taut and fast-paced but lacks compelling protagonists.Pub Date: Nov. 5, 2019
ISBN: 978-1-5011-9010-0
Page Count: 320
Publisher: Atria
Review Posted Online: Aug. 18, 2019
Kirkus Reviews Issue: Sept. 1, 2019
A grim and unbearably tense debut chiller with an unexpected and utterly fitting finale.
A lonely British schoolteacher falls for an American man incarcerated for the murder of a young woman. What could possibly go wrong?
Samantha, 31, is still reeling from a bad breakup when she discovers Framing the Truth: The Murder of Holly Michaels, an 18-year-old true-crime documentary about the killing of a young girl by then-18-year-old Dennis Danson, aka the suspected Red River Killer, who’s still on death row in Florida’s Altoona Prison. Sam writes to Dennis, and soon they’re declaring their love for each other. Sam flies to the U.S. to meet him, and although they’re separated by plexiglass, she knows that she’s found the love of her life. The chirpy Carrie, who co-produced and directed the first documentary, is Sam’s guide while she’s there, and Sam accompanies her while they film a new series about Dennis, A Boy from Red River. Sam and Dennis quickly marry when new evidence comes to light and Dennis is exonerated and released. Amid a whirlwind of talk shows, celebrity attention, and the new series premiere, married life isn’t quite what Sam had hoped for: intimacy is nonexistent, the already self-loathing Sam feels unloved and unwanted, and the appearance of Dennis’ clingy childhood friend Lindsay Durst sends Sam into a jealous fit. After Dennis’ father dies, they move into Dennis’ childhood home, and Sam begins to suspect he may be hiding something. After all, what actually happened to all those other missing girls? Refreshingly, Lloyd seems absolutely unconcerned with whether or not her characters are likable, and although a few British sayings ("round," “in hospital”) make their way into the dialogue of the American characters, her research into the aftereffects of long incarceration is obvious, and her portrait of an emotionally damaged woman feels spot-on.
A grim and unbearably tense debut chiller with an unexpected and utterly fitting finale.Pub Date: Feb. 6, 2018
ISBN: 978-1-335-95240-0
Page Count: 320
Publisher: Hanover Square Press
Review Posted Online: Dec. 23, 2017
Kirkus Reviews Issue: Jan. 15, 2018
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
