Reads like a remake of Family Jewels (2016) with nary a homicide until very close to the end. Not much sex, no more lies...
The title says it all. So do New York’s tabloid headlines: “LIMEY POWERBALL WINNER LANDS IN BIG APPLE, LIVES LARGE.”
Laurence Hayward taught at Eton, his old-school old school, until a $612 million lottery win made it impossible to go home, or almost anywhere else, without attracting the unwanted attention of paparazzi. So he flies to New York to consult Stone Barrington, who introduces him to his junior partner Herbert Fisher, investment banker Conrad Trilling, and Ralph Lauren personal shopper Theresa Crane. Laurence relaxes enough to spend several million dollars on three cars, two apartments in the same Park Avenue building, and an extensive selection of Lauren clothing. Unfortunately, purchasing his wardrobe under the expert advice of Theresa soon brings him into contact with her kid brother, Butch, recently released from stir and eager for a score. Together with his prison pal, the even more recently sprung Curly Jones, Butch quickly hatches a scheme to separate Laurence painlessly from $300,000. But that’s not enough for Curly, who loses his share on the ponies and leans on Butch to go back for another round. When Butch, whom Theresa has insinuated into Ralph Lauren without knowing about his partnership with Curly, turns him down, Curly sets his sights a little lower, resolving to clean out Stone’s own apartment in Turtle Bay. Stone, who’s busy finding two new bedmates, is oblivious, confident that the security personnel of Strategic Services are looking out for him 24/7. Or are they?
Reads like a remake of Family Jewels (2016) with nary a homicide until very close to the end. Not much sex, no more lies than usual, but some very serious money does indeed get spent on every possible status symbol you can imagine.Pub Date: Oct. 25, 2016
ISBN: 978-0-399-57394-1
Page Count: 352
Publisher: Putnam
Review Posted Online: Oct. 5, 2016
Kirkus Reviews Issue: Oct. 15, 2016
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
The jaws are those of a shark which makes quick work of a pretty young woman on the Long Island shore (Amity) where the disaster is kept quiet in the (financial) interest of the town's summer rentals. This is no longer possible after the next victim—a youngster—and police chief Brody is wrongly blamed for not closing the beaches sconer. He has other troubles — namely a restless young wife who remembers better days playing country club tennis and she is not immune to a visiting ichthyologist, the only one fascinated by the local shark. The finale entails some ugly, lashing action against the big one that's been getting away and all of it is designed to jolt that maneating masculine readership who probably won't notice that it ""should of"" been better written.
Pub Date: Jan. 18, 1973
ISBN: 978-0-345-54414-8
Page Count: 352
Publisher: Doubleday
Review Posted Online: July 2, 2019
Kirkus Reviews Issue: Jan. 1, 1973
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
