Further proof, if the series needed it, that there’s no lifecycle trauma that won’t yield to the power of money, contacts...
New York super-lawyer Stone Barrington’s teenaged son comes to live with him. Wait, there’s less, much less.
Naturally, the kid is a genius: handsome, charming, courteous, already at 15 a precocious filmmaker who graduated from high school early because they’d run out of things to teach him. How could he miss, with parents like Stone (Bel-Air Dead, 2011, etc.) and Arrington Calder, the movie actress Stone impregnated shortly before she was swept off her feet and to the nuptial bed by legendary star Vance Calder? Swiftly recovering from his initial jitters about parenthood, Stone buys Peter new clothes, lays some fatherly advice on him and takes him to a board meeting of Centurion Studios, where Peter passes a rough cut of his amateur movie on to CEO Leo Goldman Jr., who’s eager to buy it outright. With a little help from his friends, Stone helps Peter change his name to Barrington, backdates his birth certificate two years, helps him get into exclusive Knickerbocker Hall and greases the path to the Yale Drama School. While he’s at it, he proposes marriage to Arrington, who’s traveled to New York to help Peter get settled, warm Stone’s bed and incidentally escape from Prof. Timothy Rutledge, the jealous architect who designed her house in Virginia and warmed her own bed. So many scenes pass without casting a shadow over the new family’s happiness, as in a Care Bears story, that you just know something bad must be looming, and finally, in Chapter 50, it arrives. Fortunately, the characters pull themselves together manfully with the help of some philosophical reflections, a convenient .45 and a fresh infusion of cash.
Further proof, if the series needed it, that there’s no lifecycle trauma that won’t yield to the power of money, contacts and bling.Pub Date: Sept. 20, 2011
ISBN: 978-0-399-15765-3
Page Count: 320
Publisher: Putnam
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
Magnificent writing, nonetheless, makes the best case yet for putting McCarthy on a pedestal just below the one occupied by...
Almost as frustrating as it is commanding, McCarthy’s ninth (and first since the completion of his Border Trilogy: Cities of the Plain, 1998, etc.) is a formidable display of stunningly written scenes that don’t quite cohere into a fully satisfying narrative.
It’s a bleak chronicle of murder, revenge and implacable fate pocked with numerous echoes of McCarthy’s great Blood Meridian (1985). Here, the story’s set in 1980 in southern Texas near the Mexican border, where aging Sheriff Bell, a decorated WWII veteran, broods heroically over the territory he’s sworn to protect, while—in a superb, sorrowful monologue—acknowledging the omnipresence of ineradicable evil all around him. Then the focus trains itself on Vietnam vet Llewellyn Moss, a hunter who stumbles upon several dead bodies, a stash of Mexican heroin and more than $2 million in cash that he absconds with. The tale then leaps among the hunted (Moss), an escaped killer (Anton Chigurh), whose crimes include double-crossing the drug cartel from which the money was taken, the Army Special Forces freelancer (Carson Wells) hired by druglords and—in dogged pursuit of all the horrors spawned by their several interactions—the intrepid, however flawed and guilty, stoical Sheriff Bell: perhaps the most fully human and sympathetic character McCarthy has ever created. The justly praised near-biblical style, an artful fusion of brisk declarative sentences and vivid, simple images, confers horrific intensity on the escalating violence and chaos, while precisely dramatizing the sense of nemesis that pursues and punishes McCarthy’s characters (scorpions in a sealed bottle). But this eloquent melodrama is seriously weakened by its insufficiently varied reiterated message: “if you were Satan . . . tryin to bring the human race to its knees, what you would probably come up with is narcotics.”
Magnificent writing, nonetheless, makes the best case yet for putting McCarthy on a pedestal just below the one occupied by William Faulkner.Pub Date: July 25, 2005
ISBN: 0-375-40677-8
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
IN THE NEWS
Box handles this foolproof formula with complete assurance, keeping the pot at a full boil until the perfunctory,...
The creator of Wyoming Fish and Game Warden Joe Pickett (Breaking Point, 2013, etc.) works the area around Yellowstone National Park in this stand-alone about a long-haul trucker with sex and murder on his mind.
The Lizard King, as he calls himself, normally targets lot lizards—prostitutes who work the parking lots adjacent to the rest stops that dot interstate highways. But he’s more than happy to move up to a higher class of victim when he runs across the Sullivan sisters. Danielle, 18, and Gracie, 16, are supposed to be driving from their mother’s home in Denver to their father’s in Omaha, but Danielle has had the bright idea of heading instead to Bozeman, Mont., to visit her boyfriend, Justin Hoyt. Far from home, their whereabouts known to only a few people, the girls are the perfect victims even before they nearly collide with the Lizard King’s rig and Danielle flips him off. Hours later, very shortly after he’s caught up with them in the depths of Yellowstone and done his best to eradicate every trace of his abduction, Justin, worried that Danielle refused his last phone call, tells his father that something bad has happened. Cody Hoyt, an investigator for the Lewis and Clark County Sheriff’s Department, is already having a tough day: At the insistence of his crooked boss, Sheriff Tubman, his longtime student and new partner, Cassandra Dewell, has just caught him planting evidence in an unrelated murder, and he’s been suspended from his job. If he’s lost his badge, though, Cody’s got plenty of time on his hands to drive downstate and meet with State Trooper Rick Legerski, the ex-husband of his dispatcher’s sister, to talk about what to do next. And so the countdown begins.
Box handles this foolproof formula with complete assurance, keeping the pot at a full boil until the perfunctory, anticlimactic and unsatisfactory ending.Pub Date: July 30, 2013
ISBN: 978-0-312-58320-0
Page Count: 400
Publisher: Minotaur
Review Posted Online: July 6, 2013
Kirkus Reviews Issue: July 15, 2013
BOOK TO SCREEN
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
