Highly recommended for anyone interested in architecture, classical history or travel photography.
Stunning panoramic views of Petra, one of the world’s archaeological treasures, adorn this beautifully designed coffee table book.
If your travel plans to the kingdom of Jordan fall through, the next best thing to visiting Petra—the famed desert city carved into sheer rock—is this gorgeous collection of panoramic photographs. You might remember the city from the final ride-into-the-sunset scene of Indiana Jones and the Last Crusade, but these photos capture the city better than Spielberg. Petra sits in the cradle of civilization, so it’s seen thousands of years’ worth of settlers—Greek, Roman and Byzantine cultures, with notable influence by neighboring Egyptian, Arabic and Eastern civilizations. The area’s impressive array of clashing cultures notoriously relates to its reputation as an unstable region. The city was abandoned after a series of devastating earthquakes between A.D. 363 and A.D. 551, and being located in a deep and narrow desert canyon, it wasn’t “discovered” by Europeans until 1812. Now, photographer Alghussain captures the sprawling richness of the ancient city with a professional eye and gear—Fuji Panorama (6x17) professional camera with 90- and 180mm lenses and Fujichrome Velvia film. Having obtained special permission from authorities to enter the site at sunrise and sunset, Alghussain exploits a magical balance of light and shadow to portray the unique architecture of the UNESCO World Heritage Site. The book’s perfunctory introduction includes minimal use of maps and cursory historical lessons to introduce the reader to the land, but that’s just preparation for the real treat—24-inch-wide, double-page panoramas of Petra’s hallowed beauty. Captions and corresponding thumbnails are relegated to the final pages so as not to interrupt the breathtaking visuals. From choice of film to the professional firms hired for printing and image scanning, all production details are of the highest caliber. Alghussain goes even further by collaborating with book designer Kevin Opp to produce an edition that sets the standard of design in independent publishing.
Highly recommended for anyone interested in architecture, classical history or travel photography.Pub Date: May 25, 2012
ISBN: N/A
Page Count: 183
Publisher: N/A
Review Posted Online: Feb. 16, 2012
Kirkus Reviews Issue: March 15, 2012
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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