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BEST NEW AMERICAN VOICES 2007

There is nothing tentative in this collection—these are fully formed talents.

This latest collection of stories from US and Canadian writing programs is vibrant and diverse, well up to the high standard set by its predecessors.

Novelist Miller (Lost in the Forest, 2005, etc.) has assembled 15 stories, all roughly contemporary, except “The Temperate Family,” by Caimeen Garrett, a remarkable account of an anguished father’s search for his kidnapped son in 1876. As before, the immigrant experience is well-represented: Russians in Pittsburgh (Ellen Litman’s “About Kamyshinskiy”), Indians in Houston (Keya Mitra’s “Pompeii Recreated”) and a Pakistani in limbo (Fatima Rashid’s “Syra”). The standout in this group is “A Correct Life,” Viet Thanh Nguyen’s story about Liem, an 18-year-old Vietnamese who flees Saigon in 1975 and is taken in by a gay couple in San Francisco—culture shock has seldom been so perceptively rendered. American families experience shocks of their own. Blue-collar father and college-dropout son circle each other grimly after the old man’s divorce (“Karaoke Night,” by Dan Pope); sparks fly when alcoholic, four-times-married Frederick the Third shows up for his grandfather’s funeral and finds forgiveness in short supply (“The Freddies,” by M.O. Walsh). Another grandfather, dying in Puerto Rico, gets no respect from his son or grandson, who are off partying elsewhere in the Caribbean; for sheer exuberance, nothing beats this freewheeling story by Kevin A. González (“Wake”). Equally good, in a quieter way, is Anne de Marcken’s “Ashes”; here, a widow ponders the gap between image and reality as she scatters her husband’s ashes. Sometimes characters are dwarfed by a theme (exurban development obliterating American folklore, in Lydia Peelle’s “Shadow on a Weary Land”); sometimes a character sketch serves for a story, whether it’s a control freak masquerading as a good neighbor (Alice J. Marshall’s “By Any Other Name”) or a black postgraduate struggling with a drug habit (T. Geronimo Johnson’s “Winter Never Quits”); yet there is fine observation even in these lesser offerings.

There is nothing tentative in this collection—these are fully formed talents.

Pub Date: Oct. 2, 2006

ISBN: 0-15-603155-8

Page Count: 336

Publisher: Harvest/Houghton Mifflin Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2006

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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