Now, in a richly textured but emotionally cool novel, Miller (The Distinguished Guest, 1995, etc. ) limns a fall from grace and the hard climb back to redemption as a woman tempted to take a timeout from her marriage almost destroys all the good things in her life. Jo Becker, a veterinarian in a small Massachusetts town, is intensely aware of all those seemingly inconsequential yet important daily habits—taking walks with the family dogs, cooking dinner, going fishing—that form part of the marital glue. The mother of three grownup daughters, and married to local pastor Daniel, fiftyish Jo considers herself fortunate until Eli Mayhew, new in town, brings his ailing dog to her and reminds her of their shared past. In the weeks that follow, as she prepares for Thanksgiving and Christmas, she recalls her failed first marriage and her flight from her parents to a new identity and life in Boston (where she and Eli had once been housemates). After a mutual friend’s grisly and unsolved murder, Jo returned to her family, became a vet, and met Daniel. But as she starts to reminisce with Eli, now a distinguished scientist, she finds herself yearning for her old freedom—and beginning an affair with Eli. A horrifying admission frightens her into offering a parallel confession of her own to her husband. Terribly hurt, he finds it hard to forgive her, but the marriage slowly begins to mend in spite of it. Jo, conscious of what it will cost her to regain his trust and love, tries “to accept the changes I made when I didn’t intend to.” Despite being a finely tuned take on a good marriage suddenly imperiled by the vagaries of the heart, this latest from the popular Miller is more a perceptive study than absorbing story. Both Joe and Daniel—never very credible to begin with—remain one- dimensional ideas rather than full-blooded characters.
Pub Date: Feb. 1, 1999
ISBN: 0-375-40112-1
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1998
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
