Laugh-out-loud one-liners ensure that even the uninitiated will enjoy Adrian Mole’s journey through Townsend’s cruel, comic...
Loveable loser Adrian Mole turns 35 in the latest installment in the British series.
Townsend began tracking Adrian’s wholly mediocre life in The Secret Diary of Adrian Mole Aged 13¾ (1982). Set between 2002 and 2004, this, like the others, takes the form of diary entries. Here a slightly more responsible Adrian emerges. Despite a few setbacks—his cooking show, Offally Good!, has been cancelled, and youngest son William has gone to live with his mum in Nigeria—he’s finally moved out of his parents’ house. Adrian has bought a posh loft at Rat Wharf and some dangerously white furniture to go with it. He is doing well as an assistant to an antiquarian bookseller and may even have found a remedy for the unrequited love of his life, Pandora Braithwaite, in the form of Miss Marigold Flowers. But happy times have short tenancy—in fact, just a few days. Adrian’s initial attraction to Marigold’s fragility disappears when he’s nearly bored to death during a long tour of her doll houses. But no matter: Marigold tells everyone they’re engaged and Adrian seems helpless to contradict her. Likewise, life at Rat Wharf turns out to be less than ideal when the picturesque canal swans begin menacing Adrian, and his upstairs neighbor complains at the noise made when Adrian boils water. Finally, Adrian’s credit-card debt is mounting, thanks in part to his “resourcefulness” in taking cash advances on newly offered cards to pay the minimum on others. Things get worse: Marigold says she is pregnant and sets a wedding date, Adrian begins a torrid affair with her sister Daisy and his son Glenn is stationed in Iraq. With her usual dark wit, Townsend skewers the Blair government’s search for WMDs, the pervasive hell of modern debt and the everyman’s inability to master love.
Laugh-out-loud one-liners ensure that even the uninitiated will enjoy Adrian Mole’s journey through Townsend’s cruel, comic world.Pub Date: Dec. 1, 2005
ISBN: 1-56947-406-0
Page Count: 336
Publisher: Soho
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2005
Contains everything readers have come to expect from powerhouse Connelly. Bonus: Additional installments hold the intriguing...
Fresh from returning Harry Bosch to the LAPD with The Closers (2005), veteran crime novelist Connelly offers intrigue and bracing twists in his first legal thriller.
Criminal defense attorney Mickey Haller is known as a “Lincoln lawyer” because he does business while being driven from courthouse to courthouse in his Town Car. Scraping by by defending lowlifes, some of whom offer their chauffeur services to work off Haller’s fees, he stumbles across a dream client: a rich boy accused of viciously beating a woman. Most important for Haller, Louis Roulet loudly proclaims his innocence, and his family has the dough to pay top-dollar for representation. But Haller’s father, J. Michael Haller (making Bosch and Haller half-brothers, Connelly’s wink to longtime fans) said there was “no client as scary as an innocent man,” and soon Haller is confronted with the consequences that come from the system’s inevitable compromises. When Haller’s investigator and friend is murdered for getting too close to the truth, he’s forced to confront the cost of sacrificing ideals for pragmatism. To spill more plot detail would spoil a good deal of the considerable fun here; suffice to say the conflict sparks in Haller an epic case of cognitive dissonance. Connelly gets the legal details and maneuvers just right, and Haller is a great character—world-weary but funny and likable—he’s never met an angle he couldn’t play or a corner he couldn’t cut.
Contains everything readers have come to expect from powerhouse Connelly. Bonus: Additional installments hold the intriguing possibility of one day seeing Bosch and Haller together on the streets of L.A.Pub Date: Oct. 3, 2005
ISBN: 0-316-73493-4
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2005
BOOK TO SCREEN
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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