Some of Townsend’s veddy British jokes don’t cross the Atlantic, but those that do are funny, frivolous, and devastatingly...
More satirical diaries of a persistently pathetic English everyman pitches brickbats and sourballs at Tony Blair, Princess Di worshippers, TV cooking shows, celibacy, and the ever increasing bunch of village idiots and ne’er-do-wells in Ashby-de-la-Zouch.
Back in 1982, long before Bridget Jones turned feckless romance and menstrual cramps into bestselling silliness, playwright and comic novelist Townsend introduced The Secret Diary of Adrian Mole Aged, 13 3/4. Over the years, the precocious adolescent who wrote bad poetry and made hilariously misinformed comments about his dysfunctional family, has grown—though not necessarily up. This sixth installment covers Adrian’s misadventures, with sarcastic side glances at national events, from March 1997 to May 1998, and opens with 31-year-old Adrian, author of an unpublished novel, employed as a chef at the Hoi Polloi, a fashionable Soho restaurant that serves such ineptly prepared “traditional” English fare as overcooked frozen liver and runny Yorkshire pudding (from the kitchen, Adrian glimpses Bridget Jones grimacing over dinner). His Nigerian wife Jo Jo has fled back to Africa while their three-year-old offspring, William, stays with Adrian’s father, George, who is chronically depressed because he can’t get it up anymore, and mother, Pauline, who is having an affair with Ivan Braithwaite, the father of Adrian’s first girlfriend, the voluptuous Dr. Pandora Braithwaite, who is also Adrian’s first and, so far, unrequited love. The diaries open with Adrian’s cautious surprise at Tony Blair’s election, for who should ride in on Blair’s coattails as the new MP for Ashby-de-la-Zouch? Adrian contemplates celibacy, makes a short-lived TV cooking show called Offally Good!, Princess Di is killed in a car crash, Adrian’s father has an affair with Ivan Braithwaite’s wife, the Hoi Polloi is closed when foot fungus is found in a sink and, incredibly, Pandora and Adrian wind up in bed.
Some of Townsend’s veddy British jokes don’t cross the Atlantic, but those that do are funny, frivolous, and devastatingly dead-on.Pub Date: Aug. 1, 2000
ISBN: 1-56947-204-1
Page Count: 416
Publisher: Soho
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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