A macabre tale of unrequited love and ghostly children, by the British author of the acclaimed Adrian Mole series and, most recently, The Queen and I (1994). When his dog starts tearing at a rubbish bag during their morning walk on the heath, Christopher Moore is simply annoyed. He’s horrified, however, to discover that what the dog was after was a sack filled with fetuses—one of which, perfectly formed, he wraps up and takes home. This shocking behavior is soon explained: At 49, Christopher has never recovered from the dismay of losing his own child. Seventeen years ago, Angie and Chris were in love and expecting—unbeknownst to Chris, though, Angie didn’t want a baby and wasn’t so sure she wanted Chris either. Now, the discovery of the fetus on the heath triggers an obsessive curiosity in him, and he seeks out Angela, still living in the same city, grown double her youthful weight and married to a priggish businessman she no longer loves. Passion is instantly reignited between the two, though Angela can’t fathom Christopher’s preoccupation with their dead baby. Here, Townsend deftly weaves an element of grim fantasy into the tale, with the appearance of the ghost of their daughter, now 17, and a beautiful “schoolgirl,” who is always invisibly by Angela’s side. Chris and Angie’s guilt is contrasted with that of Crackle and Tamara, a young punk couple who frequent the dingy cafÇ where Angela and Christopher rendezvous. Crackle, a Satan-worshiping crackhead, dominates his simple-minded young wife and has abused his infant daughter, who lies comatose in the hospital. A week in the two couples’ lives traces the growing relationship between Christopher and Angela and the disintegration of Crackle and Tamara’s. At the close, though, a horribly botched suicide attempt by Angela’s husband, and a new baby on the way for Tamara, combine to create a bizarre but satisfying end. A slim, riveting tale.
Pub Date: May 14, 1998
ISBN: 1-56947-117-5
Page Count: 192
Publisher: Soho
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1998
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
