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THE MYSTERY WRITER

A fizzy whodunit with pace, panache, and surprises galore.

The killing of a famous author turns a faithful protégé into a fanatic sleuth.

Australian college student Theodosia Benton has abruptly left her university in Sydney and moved to the United States with the intention of becoming a writer. When she shows up unannounced on the doorstep of her older brother, Gus, in Lawrence, Kansas, she interrupts a romantic moment he's having with a half-dressed woman named Pam, who beats a hasty retreat. Such rashness leads to the kind of sibling spats and banter that propel this story and make for a compellingly unpredictable protagonist. When she meets writer Dan Murdoch at a restaurant, Theo quickly manages to become his friend and avid writing student. Then Dan is murdered, and his agent, Veronica, hires Theo to find his killer, who also apparently snatched the manuscript of Dan’s latest novel. The tale presents two intertwined mysteries. First, who slew the renowned author? Second, who are all those people with quirky screen names who comment on the murder at the beginning of most chapters? This latter thread is introduced through Caleb, someone who vaguely touts the rise of something called The Shield and the revolutionary plans of its leader, Primus. Caleb’s quest to discover the identity of Primus proceeds in tandem with Theo’s. He comes to believe that Dan was Primus, but was he? Primus is just the tip of an identity iceberg that includes Space Monkey, Frodo 14, Patriot Warrior, and others. Fans will rejoice that the prolific Gentill, author of the Rowland Sinclair mysteries, maintains her record of packing stand-alone novels with devilish twists on genre conventions.

A fizzy whodunit with pace, panache, and surprises galore.

Pub Date: March 19, 2024

ISBN: 9781728285184

Page Count: 400

Publisher: Poisoned Pen

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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