Rowland’s leisurely 10th case colorfully re-creates the flavor of serial mysteries of Hollywood’s golden age.
A Brahmin Boston family is shocked to be cut out of an inheritance. Would any of them resort to murder?
Fresh from a 1935 business trip to China that turned into another sleuthing adventure, Australian artist-cum–reluctant businessman Rowland Sinclair is sent to Boston to settle the estate of his friend Daniel Cartwright. He owes his appointment as executor to Danny’s estrangement from his family. Danny was shot, presumably by a vagrant, and his body left beside the Charles River. Taking artistic sidekicks Milton, Clyde, and Edna along for moral support, Rowland faces a phalanx of attorneys and Danny’s angry brothers, Frank and Geoffrey, eventually joined by Molly, their blithe, bubbly sister. Tensions boil over at the reading of the will, which reveals the main heir to Danny’s estate to be one Otis Norcross, who hasn’t attended the reading and whom no one seems to know. This last development, coupled with the strange circumstances surrounding Danny’s death, prompts Rowland to investigate. Physical and legal threats follow, but after the initial flurry of mystery and danger, the plot moves slowly, propelled mostly by the banter of the investigative quartet and entertaining cameo appearances by Zelda Fitzgerald, Orson Welles, etc. Once they find Norcross, the threads of Danny’s private life begin to unravel, and the story accelerates to a conclusion. Gentill begins each chapter with a short, entertaining news item from the period as another way of contextualizing her piquant recurrent theme of the social value of art and artists.
Rowland’s leisurely 10th case colorfully re-creates the flavor of serial mysteries of Hollywood’s golden age.Pub Date: Jan. 18, 2022
ISBN: 978-1-4642-1490-5
Page Count: 384
Publisher: Poisoned Pen
Review Posted Online: Sept. 28, 2021
Kirkus Reviews Issue: Oct. 15, 2021
Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.
What begins as a decorous whodunit set in a gated community on the River Thames turns out to be another metafictional romp for mystery writer Anthony Horowitz and his frequent collaborator, ex-DI Daniel Hawthorne.
Everyone in Riverview Close hates Giles Kenworthy, an entitled hedge fund manager who bought Riverview Lodge from chess grandmaster Adam Strauss when the failure of Adam’s chess-themed TV show forced him and his wife, Teri, to downsize to The Stables at the opposite end of the development. So the surprise when Kenworthy’s wife, retired air hostess Lynda, returns home from an evening out with her French teacher, Jean-François, to find her husband’s dead body is mainly restricted to the manner of his death: He’s been shot through the throat with an arrow. Suspects include—and seem to be limited to—Richmond GP Dr. Tom Beresford and his wife, jewelry designer Gemma; widowed ex-nuns May Winslow and Phyllis Moore; and retired barrister Andrew Pennington, whose name is one of many nods to Agatha Christie. Detective Superintendent Tariq Khan, feeling outside his element, calls in Hawthorne and his old friend John Dudley as consultants, and eventually the case is marked as solved. Five years later, Horowitz, needing to plot and write a new novel on short notice, asks Hawthorne if he can supply enough information about the case to serve as its basis, launching another prickly collaboration in which Hawthorne conceals as much as he reveals. To say more, as usual with this ultrabrainy series, would spoil the string of surprises the real-life author has planted like so many explosive devices.
Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.Pub Date: April 16, 2024
ISBN: 9780063305649
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
Not the best of Connelly’s procedurals, but nobody else does them better than his second-best.
A snap of the yo-yo string yanks Harry Bosch out of retirement yet again.
Los Angeles Councilman Jake Pearlman has resurrected the LAPD’s Open-Unsolved Unit in order to reopen the case of his kid sister, Sarah, whose 1994 murder was instantly eclipsed in the press by the O.J. Simpson case when it broke a day later. Since not even a councilor can reconstitute a police unit for a single favored case, Det. Renée Ballard and her mostly volunteer (read: unpaid) crew are expected to reopen some other cold cases as well, giving Bosch a fresh opportunity to gather evidence against Finbar McShane, the crooked manager he’s convinced executed industrial contractor Stephen Gallagher, his wife, and their two children in 2013 and buried them in a single desert grave. The case has haunted Bosch more than any other he failed to close, and he’s fine to work the Pearlman homicide if it’ll give him another crack at McShane. As it turns out, the Pearlman case is considerably more interesting—partly because the break that leads the unit to a surprising new suspect turns out to be both fraught and misleading, partly because identifying the killer is only the beginning of Bosch’s problems. The windup of the Gallagher murders, a testament to sweating every detail and following every lead wherever it goes, is more heartfelt but less wily and dramatic. Fans of the aging detective who fear that he might be mellowing will be happy to hear that “putting him on a team did not make him a team player.”
Not the best of Connelly’s procedurals, but nobody else does them better than his second-best.Pub Date: Nov. 8, 2022
ISBN: 978-0-316-48565-4
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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