A dry, verbose attempt to drum up interest in nanotechnology.
Nanotechnology is involved with structures and crystals at the atomic level, with the construction of teeny-weeny things that have a big impact in the everyday world, from running shoes to cancer research. Problems start cropping up from the get-go: In attempting to explain the wee nature of the nano—pictured here as a sort of atomic marble in musketeer gloves and boots—the authors go overboard. After one explanation: “That’s still pretty hard to picture, though, so let’s try this.” Then, a couple paragraphs later, “Let’s try explaining Nano’s size in another way.” Let’s not; we get the picture. Really small. The text is relentless and endless, and hopes that enhancements—few and far between—will come to the rescue are thwarted with mostly meaningless animated clips, though high marks are given for reproductions from electron and scanning-probe microscopes. Then comes a short visit with Richard Feynman that fails to explore his quirkiness or why he thought small was the wave of the future, and next a long litany of how nanoscience will affect everything from medical research to hockey sticks and cosmetics. But when you have to write to your audience, “I don’t know about you, but I think the idea of using magnetism to focus a beam of electrons on an atom is really cool,” that’s what is known as dead in the water.
For so little a subject, such a crushing weight of words. (Nonfiction enhanced e-book. 12 & up)Pub Date: July 30, 2012
ISBN: N/A
Page Count: -
Publisher: 2Lux Media
Review Posted Online: Sept. 26, 2012
Kirkus Reviews Issue: Oct. 15, 2012
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Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Feb. 1, 2001
Categories: CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES
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BOOK REVIEW
BOOK REVIEW
In the sequel to Insignificant Events in the Life of a Cactus (2017), Aven Green confronts her biggest challenge yet: surviving high school without arms.
Fourteen-year-old Aven has just settled into life at Stagecoach Pass with her adoptive parents when everything changes again. She’s entering high school, which means that 2,300 new kids will stare at her missing arms—and her feet, which do almost everything hands can (except, alas, air quotes). Aven resolves to be “blasé” and field her classmates’ pranks with aplomb, but a humiliating betrayal shakes her self-confidence. Even her friendships feel unsteady. Her friend Connor’s moved away and made a new friend who, like him, has Tourette’s syndrome: a girl. And is Lando, her friend Zion’s popular older brother, being sweet to Aven out of pity—or something more? Bowling keenly depicts the universal awkwardness of adolescence and the particular self-consciousness of navigating a disability. Aven’s “armless-girl problems” realistically grow thornier in this outing, touching on such tough topics as death and aging, but warm, quirky secondary characters lend support. A few preachy epiphanies notwithstanding, Aven’s honest, witty voice shines—whether out-of-reach vending-machine snacks are “taunting” her or she’s nursing heartaches. A subplot exploring Aven’s curiosity about her biological father resolves with a touching twist. Most characters, including Aven, appear white; Zion and Lando are black.
Those preparing to “slay the sucktastic beast known as high school” will particularly appreciate this spirited read. (Fiction. 12-14)Pub Date: Sept. 17, 2019
ISBN: 978-1-4549-3329-8
Page Count: 272
Publisher: Sterling
Review Posted Online: June 10, 2019
Kirkus Reviews Issue: July 1, 2019
Categories: CHILDREN'S FAMILY | CHILDREN'S SOCIAL THEMES
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