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THE OTHER HALF OF MY HEART

An outstanding achievement.

Funny and deeply affecting, this novel by the Steptoe Award winner for Brendan Buckley’s Universe and Everything in It (2007) revisits the still largely unexplored world of multiracial heritage. 

Twin daughters of a black mom and white dad, Minerva and Keira King, 11, fly from Washington State to North Carolina to stay with oppressive Grandmother Johnson and compete in the Miss Black Pearl Preteen pageant. The narrator, shy Minni, who appears white, is reluctant; outgoing Keira, who appears black, is thrilled. Back home, Minni has unknowingly benefited from white privilege, while Keira’s appearance has subjected her to bias. In North Carolina, Keira fits in, and Minni stands out. Although she’s favored by their grandmother, Minni’s white appearance leads others to question her right to identify as black. As their experience of race threatens to divide the sisters, Minni struggles to heal the rift. Frazier highlights the contradictions, absurdities, humor and pain that accompany life as a mixed-race tween. Never didactic, this is the richest portrait of multiracial identity and family since Virginia Hamilton’s 1976 novel Arilla Sun Down.  

An outstanding achievement. (Fiction. 9-12)

Pub Date: June 8, 2010

ISBN: 978-0-385-73440-0

Page Count: 304

Publisher: Delacorte

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: May 15, 2010

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GHOST GIRL

A didactic blueprint disguised as a supernatural treasure map.

A girl who delights in the macabre harnesses her inherited supernatural ability.

It’s not just her stark white hair that makes 11-year-old Zee Puckett stand out in nowheresville Knobb’s Ferry. She’s a storyteller, a Mary Shelley fangirl, and is being raised by her 21-year-old high school dropout sister while their father looks for work upstate (cue the wayward glances from the affluent demography). Don’t pity her, because Zee doesn’t acquiesce to snobbery, bullying, or pretty much anything that confronts her. But a dog with bleeding eyes in a cemetery gives her pause—momentarily—because the beast is just the tip of the wicked that has this way come to town. Time to get some help from ghosts. The creepy supernatural current continues throughout, intermingled with very real forays into bullying (Zee won’t stand for it or for the notion that good girls need to act nice), body positivity, socio-economic status and social hierarchy, and mental health. This debut from a promising writer involves a navigation of caste systems, self-esteem, and villainy that exists in an interesting world with intriguing characters, but they receive a flat, two-dimensional treatment that ultimately makes the book feel like one is learning a ho-hum lesson in morality. Zee is presumably White (as is her rich-girl nemesis–cum-comrade, Nellie). Her best friend, Elijah, is cued as Black. Warning: this just might spur frenzied requests for Frankenstein.

A didactic blueprint disguised as a supernatural treasure map. (Supernatural. 10-12)

Pub Date: Aug. 10, 2021

ISBN: 978-0-06-304460-9

Page Count: 288

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: June 10, 2021

Kirkus Reviews Issue: July 1, 2021

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I'M OK

A work of heavy, realistic fiction told with oddball humor, honesty, and heart.

When Korean-American Ok Lee loses his father in a construction accident, he and his mom must fend for themselves financially while quietly grieving.

Middle schooler Ok watches as his mother takes on multiple jobs with long hours trying to make ends meet. Determined to help, he sets his sights on his school’s talent show. The winner takes home $100 in cash, enough to pay the utilities before they get cut off. His search to find a bankable talent is complicated by unwanted attention from bully Asa, who’s African-American, and blackmail at the hands of a strange classmate named Mickey, who’s white. To make matters worse, his mother starts dating Deacon Koh, “the lonely widower” of the First Korean Full Gospel Church, who seems to have dubious motives and “tries too hard.” Narrator Ok navigates this full plot with quirky humor that borders on dark at times. His feelings and actions dealing with his grief are authentic. Most of the characters take a surprising turn, in one way or another helping Ok despite initial, somewhat stereotypical introductions and abundant teasing with racial jokes. Although most of the characters go through a transformation, Ok’s father in comparison is not as fleshed-out, and Asa’s African-American Vernacular English occasionally feels repetitive and forced.

A work of heavy, realistic fiction told with oddball humor, honesty, and heart. (Fiction. 10-12)

Pub Date: Oct. 9, 2018

ISBN: 978-1-5344-1929-2

Page Count: 288

Publisher: Atheneum

Review Posted Online: June 24, 2018

Kirkus Reviews Issue: July 15, 2018

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