YOUR HEART IS A MUSCLE THE SIZE OF A FIST

Name: YOUR HEART IS A MUSCLE THE SIZE OF A FIST
Author: Sunil Yapa
ISBN: 978-0-316-38653-1

by Sunil Yapa ‧ RELEASE DATE: Jan. 12, 2016

American novels about protest have been thin on the ground since the days of Ken Kesey and Edward Abbey. The genre deserves...

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A ground-level reimagining of the violent protests at the 1999 World Trade Organization meeting in Seattle, told from a host of perspectives.

The emotional core of Yapa’s debut novel is the fraughtly named Victor, a 19-year-old who’s come to Seattle after a few years of globe-trotting to sharpen his social-justice sensibilities—and to confront his stepfather, the fraughtly named Bishop, head of the city’s police force. The downtown streets are swarming with protesters determined to halt the movement of WTO delegates, who are seen as pillaging poorer nations in the name of free trade, and the story bounces dutifully among a handful of characters representing the various factions. There’s John Henry, a middle-aged and weathered protest vet; Timothy, a hotheaded cop impatient with nonviolent resistance; King, a live-wire tough-talker; Julia, a cop who’s softened following a stint in Los Angeles policing the Rodney King riots; and Charles, a Sri Lankan delegate baffled by the chaos in the streets but determined to make his meetings. Yapa’s grasp of the pre–9/11 global diaspora is sound, and he’s knowledgeable about the tactics that both protesters and law enforcement use against each other. But lacking much in the way of deep characterization—we are meant to believe that Bishop made a bonfire of Victor’s mother’s lefty books and that Victor fled the country because of it—the novel is largely a parade of pat sentiments and facile contradictions. King is committed to nonviolence—but does she have a violent past? Charles cares for his countrymen—but is he selling them out? The purpler prose only highlights the thinness of the storytelling: Bishop has “a heart full of loss and a head full of doom”; chanting, John Henry says, is “how we hold the fear in our mouths and transform it into gold.”

American novels about protest have been thin on the ground since the days of Ken Kesey and Edward Abbey. The genre deserves a better revival effort than this.

Pub Date: Jan. 12, 2016

ISBN: 978-0-316-38653-1

Page Count: 320

Publisher: Lee Boudreaux/Little, Brown

Review Posted Online: Oct. 14, 2015

Kirkus Reviews Issue: Nov. 1, 2015

Categories:

GENERAL FICTION

- PROFILES
Sunil Yapa

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MAGIC HOUR

by Kristin Hannah ‧ RELEASE DATE: March 1, 2006

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

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Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:

GENERAL FICTION

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THE CATCHER IN THE RYE

by J.D. Salinger ‧ RELEASE DATE: June 15, 1951

A strict report, worthy of sympathy.

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A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.