by Sunshine Tenasco ; illustrated by Chief Lady Bird ‧ RELEASE DATE: Oct. 12, 2021
One gutsy girl leads the way.
An enthusiastic but thirsty Anishinabe girl and her French bulldog search everywhere looking for clean water to drink.
After playing outside, Nibi and her dog go inside for a nice, cool drink of water. Brown, sludgy water pours from the tap. They run to the river, but even the fish says, “You can’t drink this dirty water!” Nibi and the dog go to the next town and run along a street with “big, shiny houses.” She knocks on doors until a lady hands Nibi a small bottle of water. But the water’s gone too quickly! She tries again, at that house and the others. “KNOCK, KNOCK, KNOCK, KNOCK, KNOCK, KNOCK!” But no one answers. She paints a sign: “Water Is Life / I Am Thirsty.” Soon, her friends join her. They make their own signs, and Nibi’s quest becomes a peaceful protest. (Even her dog carries a sign: “Woof!”) They march in the town with the big, shiny houses, and its people join in, and finally, lawmakers listen. Before long, the river is clear, and clean water runs from the taps. Water activist Tenasco (Anishinabe) effectively uses Nibi’s dilemma to illustrate a larger point. Nibi’s song—“I am thirsty, thirsty Nibi / and I need water!”—acts as an urgent refrain. Lively, colorful illustrations from Chief Lady Bird (Chippewa and Potawatomi) add to the energy of the story, incorporating stylized fish and flower motifs into the clean-lined illustrations of the brown-skinned, pigtailed girl.
One gutsy girl leads the way. (author's note, illustrator's note) (Picture book. 3-6)Pub Date: Oct. 12, 2021
ISBN: 978-1-64379-482-2
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
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PERSPECTIVES
by Pip Jones ; illustrated by Sara Ogilvie ‧ RELEASE DATE: March 1, 2020
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Pip Jones ; illustrated by Sara Ogilvie
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by Pip Jones ; illustrated by Laura Hughes
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by Pip Jones ; illustrated by Ella Okstad
by Tom Percival ; illustrated by Tom Percival ‧ RELEASE DATE: March 1, 2022
An accessible entrance into the world of social-emotional skills.
What do you do when the world turns upside down?
Freckled redhead Tilda is a happy only child with a rollicking personality. With lots of books and toys and a multiracial group of friends, life is perfect as far as she’s concerned…until her world undergoes a troubling change (a subtle hint in the illustrations suggests that Tilda’s parents have divorced). Suddenly, nothing feels right, everything seems hard, and she doesn’t want to play with her friends. To reflect this emotional disorientation, the artwork shows Tilda in spatially distorted settings, complete with upside-down objects. It’s not until she sees an upturned ladybug struggle persistently before getting back on its feet (despite Tilda’s desire to help, the ladybug needs to help itself) that Tilda gains the courage to start taking baby steps in order to cope with her new reality. There are still challenges, and she needs to persevere, but eventually, she regains her zest for life and reconnects with her friends. Despite this, the ending avoids an easy happily-ever-after, which feels just right for the subject matter. Though a trifle didactic, the story sends an important message about the roles of self-efficacy and persistence when it comes to overcoming challenges and building resilience. Percival’s digital illustrations use transitions from grayscale to color to create symbolic meaning and have psychological depth, deftly capturing a child’s experience of trauma.
An accessible entrance into the world of social-emotional skills. (author's note) (Picture book. 3-6)Pub Date: March 1, 2022
ISBN: 978-1-5476-0822-5
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Dec. 26, 2021
Kirkus Reviews Issue: Jan. 15, 2022
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More In The Series
by Tom Percival ; illustrated by Tom Percival
by Tom Percival ; illustrated by Tom Percival
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