Awkward and unsatisfying.
In her first novel for adults, Indian author Mukherjee (English/Hindu College, Delhi Univ.) explores how the past shapes the present.
As a young man, Sameer loved Abha. Abha wanted him to marry her friend, Vandana. Vandana married Sameer after she realized that she and David—an Englishman obsessed with India—had no future together. Vandana and David remained in the holy city of Varanasi; she became a social worker, he continued to study Indian religion, and both of them developed ties to a local ashram. Sameer and Vandana, both doctors, set up a thoroughly conventional upper-middle-class household—complete with son and daughter—in New Delhi. Old desires and new revelations disturb all their lives when a little boy born and raised in the ashram comes to live with the Sengupta family. By the time the reader understands what’s going on in this novel, she may be well past caring. The simplest, most basic pleasures that narrative has to offer is the gratification of finding out what happens next. This novel does not offer that. The story moves back and forth in time in a clumsy, haphazard fashion. Often, it takes awhile to figure out whether a scene is happening in the present or the past, which makes for a disorienting, off-putting read. That Mukherjee denies readers the simple satisfaction of a straightforward narrative would be forgivable if her meandering served a pleasing aesthetic end, but it does not, nor does she offer any of literature’s other joys. Her prose is stiff and clumsy. The dialogue, in particular, reads like it’s been translated into English by someone with a bilingual dictionary and no actual experience with the language.
Awkward and unsatisfying.Pub Date: July 1, 2007
ISBN: 978-0-230-00732-1
Page Count: 304
Publisher: Macmillan UK/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2007
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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