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THE CREATION OF ANNE BOLEYN

A NEW LOOK AT ENGLAND'S MOST NOTORIOUS QUEEN

A great read for Boleyn fans and fanatics alike, though not for readers seeking a general biography of the queen.

A dissection of the many varying portrayals of Anne Boleyn (1501–1536) since her death.

Bordo (Humanities/Univ. of Kentucky; The Male Body: A New Look at Men in Public and Private, 1999, etc.) begins her study of Boleyn through the ages with the attempted eradication of the doomed queen’s presence from Henry VIII’s castle and life. It was with this erasure, writes the author, that Boleyn ceased to exist as a person and became a character known only through the lenses of others. The chief contemporary accounts of her time at court come from a diplomat and supporter of Boleyn’s predecessor, Katherine of Aragon. The portrait is that of a villain, which Bordo thinks is unfair and probably historically inaccurate due to the biases of the sources. The author examines many of the histories and fictions that make Boleyn their subject, from early biographies to novels, plays and TV shows. While she makes a compelling case for her assertion that Boleyn was a strong and independent victim of the times rather than a bloodthirsty and power-mad vixen, Bordo’s own biases are apparent. She portrays the former queen not as simply misunderstood but as a feminist hero for the ages. The angle won’t surprise those familiar with her other works, but occasionally the book feels less like history than sociological theory. While the obvious discontent with many Boleyn accounts is a main focus of the book, one consequence of all the attention given those works is the likelihood that readers who are not well-versed in the lore will become curious about all the stories, including the negative.

A great read for Boleyn fans and fanatics alike, though not for readers seeking a general biography of the queen.

Pub Date: April 9, 2013

ISBN: 978-0-547-32818-8

Page Count: 368

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Feb. 3, 2013

Kirkus Reviews Issue: Feb. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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