by Susan Braudy ‧ RELEASE DATE: Feb. 14, 2019
An impressively intelligent and buoyantly written novel.
A fictionalized diary of real-life socialite Kathleen Agnes Kennedy (1920-1948) offers her thoughts on family, geopolitics, and love.
The narrator, nicknamed “Kick,” is born into extraordinary wealth and privilege as part of the Kennedy family. In this depiction, she’s shown to be a precocious observer of human affairs from an early age. When her father, Joseph P. Kennedy Sr., is appointed ambassador to Great Britain, she moves with him to London and rubs shoulders with the likes of Prime Minister Neville Chamberlain, Winston Churchill, and the British royal family. Her dad, however, is an “outspoken anti-Semite” who tries to convince Jewish, anti-Nazi Hollywood producers that gentile Americans would blame Jewish people for dragging the country into a bloody conflict abroad. He also gullibly believes Adolf Hitler’s empty promises of peace and is a political adversary of both Churchill and President Franklin D. Roosevelt, who furtively collaborate to bring the United States into the war. Kick has no illusions about Hitler’s dangerousness: “Hitler tests my faith in a just God,” she writes. She falls in love with Billy Cavendish, the “heir to the richest duchy in England,” but their relationship is vigorously opposed by both families on religious grounds—his family is Anglican and hers, Catholic. When Billy dies in the war, Kick is crushed by despair, although she eventually falls in love again, with handsome and charming British noble Peter Fitzwilliam. Throughout this account, Braudy (Family Circle, 2004, etc.) deftly captures her subject’s lacerating wit and charming forthrightness. After her wedding night, for instance, Kick writes, “Needless to say, certain things can only improve. It is the most important night of my life.” The author also ably chronicles Kick’s work for American spy chief Gen. “Wild Bill” Donovan, who asked her to keep tabs on and distribute “fake gossip” to “commie sympathizers” in England. Overall, Braudy portrays her as a remarkably accomplished and daring woman, especially for the age. Kick also works as an editor and writer for the Washington Times-Herald, and readers can see, in her diary, the pithy humor, gimlet-eyed observation, and authorial concision that make up good journalistic writing as well as her confidence in espousing heterodox views. Braudy also provides what feels like an intimate look at the intramural squabbles and tensions of the Kennedy family; of particular interest is Kick’s devotion to her father despite his considerable character flaws, including incorrigible philandering, tyrannical impulses, parochial closed-mindedness, and mercurial anger: “How can I love Daddy and hate so much of what he says? Brother Johnny says it’s his Irish charm.” Further, the author poignantly shows Kick’s close, tender relationship with her aforementioned brother, future president John F. Kennedy, which included a shared political ideology. The anguish that Kick experiences when John’s life is imperiled during his military service is palpable. Braudy does a marvelous job of making readers feel as if they’re witnessing a confession that’s never seen the light of day—as if they’re truly stumbling upon a secret.
An impressively intelligent and buoyantly written novel.Pub Date: Feb. 14, 2019
ISBN: 978-0-692-16707-6
Page Count: 240
Publisher: Blanche Wolf Publishers
Review Posted Online: April 4, 2019
Review Program: Kirkus Indie
Share your opinion of this book
More by Susan Braudy
BOOK REVIEW
by Susan Braudy
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Share your opinion of this book
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
Share your opinion of this book
More by Larry McMurtry
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
More About This Book
IN THE NEWS
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.