An informative, welcome portrait of an underappreciated American icon.
Never quite a star, actor’s actor Warren Oates gets his due in a lively biography.
Compo (Professional Writing/Univ. of Southern California; Pretty Things, 2001, etc.) delivers an affectionate history of Oates, an eccentric screen presence with a devoted cult following who, despite the universal regard of his directors and fellow actors, never attained the star status of buddies such as Jack Nicholson and Steve McQueen. Born in rural Depoy, Ky., a directionless Oates began to pursue acting in earnest after a stint in the Marines. He quickly found steady, if unglamorous, work in the live TV dramas produced in New York in the 1950s before moving to Los Angeles and building a career as a quintessential “working actor,” appearing in countless westerns and developing a persona as an uncouth, often menacing, yet somehow sympathetic oddball. Compo provides ample evidence of Oates’s preternatural geniality—the homely actor attracted a slew of gorgeous women (marrying several of them) armed only with a gap-toothed smile and an irresistible personal charisma. These qualities caught the attention of legendary auteur Sam Peckinpah, who cast Oates in important roles in a number of major films, including Ride the High Country, The Wild Bunch and the controversial Bring Me the Head of Alfredo Garcia. Oates won critical raves for these performances, as well as for his work in such seminal films as In the Heat of the Night and Badlands. Compo notes Oates’s many romantic entanglements, financial problems and chronic drug and alcohol abuse, but the author creates an impression of the man as a largely passive figure (he often touted his “zen”) looking for a good time rather than a driven hell-raiser in the Peckinpah mold. Shortly before his death, Oates won a new generation of fans with his performance as Sgt. Hulka in the Bill Murray vehicle Stripes, scoring perhaps the biggest laugh in the movie with his delivery of the line, “Lighten up, Francis.”
An informative, welcome portrait of an underappreciated American icon.Pub Date: April 1, 2009
ISBN: 978-0-8131-2536-7
Page Count: 472
Publisher: Univ. Press of Kentucky
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2009
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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