Will Stanton, youngest of the Old Ones, goes to visit his Welsh relatives to recover from a serious illness and complete the first quest he has undertaken on his own. Aided only by the mysterious albino boy, Bran, and his gray-eyed dog, Cafall, Will must find the magic golden harp and use it to defeat the Grey King of the mountain and awaken The Sleepers, who will be powerful allies of the Light in its final stand. Strangely enough it is the very real peril of two dogs—Cafall and Pen, who become pawns of the Grey King and are accused of sheep killing by the villainous farmer Caradog Prichard—which occasions most of the suspense. In the whole epic tug of war between Good and Evil, Cafall's death is the first loss worth tears and it makes us care deeply about his loyal, grieving owner, Bran. . . who turns out to be the son of Guinevere and King Arthur, but that's another matter. The Welsh-accented spells, the gray, spirit foxes who come out of the hills to prey, the climactic battle of enchantments between the swans and cormorants commanded by Will and the seething fish controlled by the Grey King must stir even the most sluggish imagination. Yet Will's special status as an Old One—his ability to summon a new, previously unheard of spell or power at each crisis—tends to lull the reader into passivity; there's something alienating about not knowing the rules ahead of time. Although the imagery here is somewhat more familiar and less eerie, this is every bit as grandly orchestrated as Green-witch (1974). Cooper is clearly building towards a thumping conclusion in the fifth and next volume and even those of us who have doubts about the significance of all this thunderous moral absolutism will want to get in on the action.
Pub Date: Sept. 10, 1975
ISBN: 1416949674
Page Count: 198
Publisher: Atheneum
Review Posted Online: Oct. 27, 2011
Kirkus Reviews Issue: Sept. 1, 1975
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A prototypical survival story: after an airplane crash, a 13-year-old city boy spends two months alone in the Canadian wilderness. In transit between his divorcing parents, Brian is the plane's only passenger. After casually showing him how to steer, the pilot has a heart attack and dies. In a breathtaking sequence, Brian maneuvers the plane for hours while he tries to think what to do, at last crashing as gently and levelly as he can manage into a lake. The plane sinks; all he has left is a hatchet, attached to his belt. His injuries prove painful but not fundamental. In time, he builds a shelter, experiments with berries, finds turtle eggs, starts a fire, makes a bow and arrow to catch fish and birds, and makes peace with the larger wildlife. He also battles despair and emerges more patient, prepared to learn from his mistakes—when a rogue moose attacks him and a fierce storm reminds him of his mortality, he's prepared to make repairs with philosophical persistence. His mixed feelings surprise him when the plane finally surfaces so that he can retrieve the survival pack; and then he's rescued. Plausible, taut, this is a spellbinding account. Paulsen's staccato, repetitive style conveys Brian's stress; his combination of third-person narrative with Brian's interior monologue pulls the reader into the story. Brian's angst over a terrible secret—he's seen his mother with another man—is undeveloped and doesn't contribute much, except as one item from his previous life that he sees in better perspective, as a result of his experience. High interest, not hard to read. A winner.
Pub Date: Sept. 1, 1987
ISBN: 1416925082
Page Count: -
Publisher: Bradbury
Review Posted Online: Oct. 18, 2011
Kirkus Reviews Issue: Aug. 15, 1987
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