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THE GREY KING

Will Stanton, youngest of the Old Ones, goes to visit his Welsh relatives to recover from a serious illness and complete the first quest he has undertaken on his own. Aided only by the mysterious albino boy, Bran, and his gray-eyed dog, Cafall, Will must find the magic golden harp and use it to defeat the Grey King of the mountain and awaken The Sleepers, who will be powerful allies of the Light in its final stand. Strangely enough it is the very real peril of two dogs—Cafall and Pen, who become pawns of the Grey King and are accused of sheep killing by the villainous farmer Caradog Prichard—which occasions most of the suspense. In the whole epic tug of war between Good and Evil, Cafall's death is the first loss worth tears and it makes us care deeply about his loyal, grieving owner, Bran. . . who turns out to be the son of Guinevere and King Arthur, but that's another matter. The Welsh-accented spells, the gray, spirit foxes who come out of the hills to prey, the climactic battle of enchantments between the swans and cormorants commanded by Will and the seething fish controlled by the Grey King must stir even the most sluggish imagination. Yet Will's special status as an Old One—his ability to summon a new, previously unheard of spell or power at each crisis—tends to lull the reader into passivity; there's something alienating about not knowing the rules ahead of time. Although the imagery here is somewhat more familiar and less eerie, this is every bit as grandly orchestrated as Green-witch (1974). Cooper is clearly building towards a thumping conclusion in the fifth and next volume and even those of us who have doubts about the significance of all this thunderous moral absolutism will want to get in on the action.

Pub Date: Sept. 10, 1975

ISBN: 1416949674

Page Count: 198

Publisher: Atheneum

Review Posted Online: Oct. 27, 2011

Kirkus Reviews Issue: Sept. 1, 1975

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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