An engaging road saga that hits some potholes—or air pockets—along the way.
Picaresque tour of mid-America in the aftermath of the Great War, bringing together a fugitive, a jaded flier, an escapee former heiress—and a very cute puppy.
Henry Jefferson, nee Schuler, the orphaned son of German immigrants, is on the run after being accused—rightly or wrongly we won’t learn until the end—of murdering a young woman in Indiana. Making for Chicago, Henry runs into Gil, a former Army reconnaissance pilot with a past, and his Jenny biplane. A talented mechanic, Henry offers his services to Gil, who's reluctant to accept until his loner status is further threatened by Cora, who's fleeing her mother’s plans for her, specifically marriage into wealth to restore her ruined family fortune. Mostly at the behest of Cora, a self-taught stunt motorcyclist, the trio forms the Mercury’s Daredevils barnstorming act, named after an adorable stray mutt Cora teaches to do doggy tricks. As they make the circuit around rural Illinois, they encounter criminal elements linked to the illicit booze trade and narrowly escape gangsters, the Klan, and, especially crucial in Henry’s case, the law. When they cross the Mississippi, however, the amateurishness of their act—mostly featuring motorcycle versus airplane races—stands in stark contrast to the magnificence of Hoffmann’s Flying Circus, which features four airplanes in much better condition than Gil’s rattletrap and not just former reconnaissance pilots, but former fighting aces. Cora joins Hoffman’s, followed with reluctance by Henry and Gil after the Jenny is destroyed by a twister. Longueurs ensue as we wait to discover whether Henry really is a criminal, to what extent Gil’s guilt is justified, and whether some vulnerability lurks beneath Cora’s spunkily gorgeous tomboy exterior. The verisimilitude of the language suffers, as too much modern parlance, e.g. “repressed emotions,” “what’s not to like,” etc., jostles against expressions like “the bee’s knees” and “the cat’s pajamas.” The technical challenges of early aviation are described with far more coherence and confidence.
An engaging road saga that hits some potholes—or air pockets—along the way.Pub Date: July 7, 2015
ISBN: 978-1-4767-7214-1
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: April 28, 2015
Kirkus Reviews Issue: June 15, 2015
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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