Much to enjoy in this rural browse, though the land has been grazed before.

READ REVIEW

EVE GREEN

Fletcher debuts with the tale of a girl’s coming of age in Wales: as plentiful elements of richness and grace slowly give way to fairly standardized small-town gothic.

Evangeline Jones is only seven and living in Birmingham, England, when her pretty young mother dies suddenly, leaving the fatherless Evie orphaned. So it’s off to Wales with this alert and spunky little girl: she’s sent to the village of Cae Tresaint, or, more accurately, to the nearby farm of her maternal grandparents, where—from a viewpoint 21 years later, and expecting her first child—she will re-create for us the remarkable events of her first year on the farm, when she was eight. There will be the life of the farm itself—cattle, sheep, illness, changing weather, veterinary emergencies—to carry the story forward with much of genuine interest, but it’s the mystery of her own parentage—and of her own sexuality—that constitutes Evie’s deeper story. Bit by bit, she will piece together the mystery of her own father—who he was, where he came from, why he disappeared—and in so doing, will gradually learn more and more also about her mother, whose own childhood, and first love, also took place on this very farm. Traces of her absent mother are everywhere: she’s remembered by her own parents, of course, but remembered most fondly by the hired hand, Daniel (16 years older than Evie), by the strange but kind recluse, Billie Macklin, and even, though with ferocity rather than fondness, by the mean and crotchety shopkeeper, Mr. Phipps. Added to Evie’s absent parents is yet another absence—after, that is, the disappearance and presumed abduction of the pretty and flirtatious Rosie Hughes, an element in the plot serves only as adornment, not necessity, and that consequently does its large share in bringing on the element of melodrama as Evie faces trial both by fear and by fire.

Much to enjoy in this rural browse, though the land has been grazed before.

Pub Date: Sept. 1, 2004

ISBN: 0-393-05988-X

Page Count: 224

Publisher: Norton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 2004

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Charming, challenging, and so interesting you can hardly put it down.

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SUCH A FUN AGE

The relationship between a privileged white mom and her black babysitter is strained by race-related complications.

Blogger/role model/inspirational speaker Alix Chamberlain is none too happy about moving from Manhattan to Philadelphia for her husband Peter's job as a TV newscaster. With no friends or in-laws around to help out with her almost-3-year-old, Briar, and infant, Catherine, she’ll never get anywhere on the book she’s writing unless she hires a sitter. She strikes gold when she finds Emira Tucker. Twenty-five-year-old Emira’s family and friends expect her to get going on a career, but outside the fact that she’s about to get kicked off her parents’ health insurance, she’s happy with her part-time gigs—and Briar is her "favorite little human." Then one day a double-header of racist events topples the apple cart—Emira is stopped by a security guard who thinks she's kidnapped Briar, and when Peter's program shows a segment on the unusual ways teenagers ask their dates to the prom, he blurts out "Let's hope that last one asked her father first" about a black boy hoping to go with a white girl. Alix’s combination of awkwardness and obsession with regard to Emira spins out of control and then is complicated by the reappearance of someone from her past (coincidence alert), where lies yet another racist event. Reid’s debut sparkles with sharp observations and perfect details—food, décor, clothes, social media, etc.—and she’s a dialogue genius, effortlessly incorporating toddler-ese, witty boyfriend–speak, and African American Vernacular English. For about two-thirds of the book, her evenhandedness with her varied cast of characters is impressive, but there’s a point at which any possible empathy for Alix disappears. Not only is she shallow, entitled, unknowingly racist, and a bad mother, but she has not progressed one millimeter since high school, and even then she was worse than we thought. Maybe this was intentional, but it does make things—ha ha—very black and white.

Charming, challenging, and so interesting you can hardly put it down.

Pub Date: Jan. 7, 2020

ISBN: 978-0-525-54190-5

Page Count: 320

Publisher: Putnam

Review Posted Online: Oct. 14, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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Well-written and insightful but so heartbreaking that it raises the question of what a reader is looking for in fiction.

DEAR EDWARD

A 12-year-old boy is the sole survivor of a plane crash—a study in before and after.

Edward Adler is moving to California with his adored older brother, Jordan, and their parents: Mom is a scriptwriter for television, Dad is a mathematician who is home schooling his sons. They will get no further than Colorado, where the plane goes down. Napolitano’s (A Good Hard Look, 2011, etc.) novel twins the narrative of the flight from takeoff to impact with the story of Edward’s life over the next six years. Taken in by his mother’s sister and her husband, a childless couple in New Jersey, Edward’s misery is constant and almost impermeable. Unable to bear sleeping in the never-used nursery his aunt and uncle have hastily appointed to serve as his bedroom, he ends up bunking next door, where there's a kid his age, a girl named Shay. This friendship becomes the single strand connecting him to the world of the living. Meanwhile, in alternating chapters, we meet all the doomed airplane passengers, explore their backstories, and learn about their hopes and plans, every single one of which is minutes from obliteration. For some readers, Napolitano’s premise will be too dark to bear, underlining our terrible vulnerability to random events and our inability to protect ourselves or our children from the worst-case scenario while also imagining in exhaustive detail the bleak experience of survival. The people around Edward have no idea how to deal with him; his aunt and uncle try their best to protect him from the horrors of his instant celebrity as Miracle Boy. As one might expect, there is a ray of light for Edward at the end of the tunnel, and for hardier readers this will make Napolitano’s novel a story of hope.

Well-written and insightful but so heartbreaking that it raises the question of what a reader is looking for in fiction.

Pub Date: Jan. 14, 2020

ISBN: 978-1-9848-5478-0

Page Count: 352

Publisher: Dial

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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