Savannah’s atmosphere, culture, and history flavor this often-engaging tale of intertwined families.
The secrets and lies of Savannah, Georgia’s upper crust come to light in Gabriel’s (Circle of the Ancestors, 2014, etc.) Southern Gothic novel.
For decades, Iris Temple has manipulated those around her by using her own wealth, position, illness, and idiosyncrasies. More importantly, she also has a ledger begun by her great-grandfather, containing secrets about Savannah’s rich and powerful, which is safely locked up at the bank. Queenie, Iris’ companion for 35 years, is also her half sister; it’s an uneasy relationship, given Queenie’s family’s long history with the Temples—first as slaves, and then as servants. Iris’ iron grip on those around her is threatened when a classified ad appears in the newspaper: “FOUND. One Book of Temple Secrets. First Secret to be revealed tomorrow.” As the secrets begin to come out (such as, “Several Savannah patriarchs have mix-raced [sic] children”), the town erupts in anger. Further disclosures unearth long-buried truths and stir up the Temple mansion’s many ghosts, leading to a final, cleansing confrontation. Gabriel unfolds her story deftly, with well-paced revelations about the complicated relationships between the mansion’s white and black inhabitants. Queenie’s 100-year-old mother, Old Sally, who still practices “Gullah magic,” is an intriguing counterpart to Iris: both are powerful matriarchs in their own way, though Old Sally possesses a contentment and benevolence that Iris doesn’t. Gabriel also evokes the Spanish moss–covered atmosphere of ghost-filled Savannah, and the Temple mansion in particular, with satisfying spookiness. Iris, however, is a heavy-handed caricature—a snobby, querulous, ever-flatulent joke that isn’t very funny. Also, although the novel strives to rebalance the inequities of history, it offers a different set of stereotypes, instead: Old Sally, for example, is a magical, sainted minority who has a special connection to the unseen, while white people are always uptight at funerals. Still, the final chapters hold a few surprises that add some dimension. The author’s thoughtfulness about masters and slaves, employers and servants, and family relations also contributes to a satisfying read.
Savannah’s atmosphere, culture, and history flavor this often-engaging tale of intertwined families.Pub Date: Feb. 16, 2015
ISBN: 978-0983588276
Page Count: 338
Publisher: Wild Lily Arts
Review Posted Online: April 13, 2015
Review Program: Kirkus Indie
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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