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HIT WOMAN

ADVENTURES IN LIFE AND LOVE DURING THE GOLDEN AGE OF AMERICAN POP MUSIC

A dishy tell-all from a veteran who survived the up-and-down world of the music jingles business.

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A pioneering music producer describes her adventures in working with some of the biggest artists in showbiz.

Hamilton’s name may not be recognizable to most people unless they have been following the advertising business for the last several decades. She was one of the earliest female music producers and worked on many commercial jingles featuring famous singers. Hamilton’s debut memoir chronicles some of the campaigns she developed. She also talks about her father, who invented the toy Zoomerang, and her stint as a child actress. Growing up, Hamilton trained to become a concert pianist until she decided to go into the jingle business. Her “eagle ears” and perfect pitch served her well at her job, but she was also a problem-solver: “What worked for me in difficult situations time and again was to just put my head down and do my work well....And oddly enough, I found that the misogynists in business would usually relent and acknowledge good work.” The best parts of this memoir are her recollections of working with big-name stars—Elton John, Michael Jackson and Marvin Gaye. Chuck Berry literally held Hamilton’s team hostage until he was paid another $5,000. The book isn’t self-aggrandizing; the author frankly describes some heartbreaking moments, such as her failed marriages and the death of one of her sons. The memoir doesn’t follow a chronological narrative; chapters jump back and forth (especially in the book’s first half) between the personal and the professional. Through her storytelling, the author reveals herself as someone with the necessary traits to cope with her job. Hamilton always delivered in her professional career, and she does so again with this book.

A dishy tell-all from a veteran who survived the up-and-down world of the music jingles business.

Pub Date: Nov. 1, 2013

ISBN: N/A

Page Count: 428

Publisher: Hitwoman Publishing

Review Posted Online: May 16, 2014

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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