A flower-to-be, looking like a green pea and behaving just like a human preschooler, voices its fears about its inevitable transformation.
There’s the dark. (“You never know / who might be digging… / …in the DARK.”) There’s the equally scary-seeming light looming above. With bona fide impediments like rocks and spiders popping up, young readers should develop real empathy for the little plant during its complex transit. A bespectacled worm offers encouragement and reassurance, flanked by ants and beetles. “There are friends to feed you, / friends to weed you, / and friends indeed who / really need you!” A series of gatefolds serves to reinforce the sense of expansiveness of soil and, later, blue sky, as the seed-turned-sprout grows into a towering, daisylike flower. Cordell uses a flat, matte color palette of browns, greens, worm-pink and sky blue, with thick black line for details. He preserves the plant’s personality throughout its growth spurt, successively using the same pale green hue and facial expressions for the seed, sprout and the flower’s center. Hood’s rhyming text is charming, but the final gatefold, a full three pages tall, must be folded away and turned before its verse can be concluded on the final spread—a slight detraction from the flow.
As sweet and benign as a summer daisy. (Picture book. 3-5)Pub Date: March 11, 2014
ISBN: 978-1-4231-5230-9
Page Count: 32
Publisher: Disney-Hyperion
Review Posted Online: Jan. 15, 2014
Kirkus Reviews Issue: Feb. 1, 2014
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A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 15, 2015
Kirkus Reviews Issue: May 1, 2015
Categories: CHILDREN'S CONCEPTS | CHILDREN'S FAMILY
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SEEN & HEARD
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 19, 2014
Kirkus Reviews Issue: June 1, 2014
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