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MISTRESS OF LIFE AND DEATH

THE DARK JOURNEY OF MARIA MANDL, HEAD OVERSEER OF THE WOMEN'S CAMP AT AUSCHWITZ-BIRKENAU

The author provides few novel insights on the Holocaust but does deliver a vivid, painful record.

The life of a Holocaust criminal.

Eischeid, a performer and teacher who specializes in the music of the Holocaust, has researched the life of Maria Mandl (1912-1948) for more than 20 years. Some of Mandl’s surviving contemporaries have been willing to talk, and Mandl herself added to the massive documentation on the Nazi years. She was born to a close-knit, middle-class Austrian family who passed smoothly through the 1920s but suffered during the Depression the following decade—although her father, a shoemaker, kept working. When the Germans marched into Austria in 1938, they were greeted with enthusiasm, although Maria’s father did not join in. That same year, Maria moved to Munich, joined the concentration camp bureaucracy, and rose to perhaps its leading post for a woman: director of the women’s camp at Auschwitz, where she oversaw the murder of perhaps 500,000 deportees and both witnessed and personally participated in unspeakable brutality. Eischeid relies heavily on testimony from survivors, who mostly deliver horrifying descriptions of camp life and sadistic treatment from guards. Even as the top official, Mandl continued to enjoy personally abusing prisoners. Due to the steady stream of suffering, torture, and death, some readers may feel the urge to skim. Nearly half the book recounts Mandl’s postwar capture, trial, and execution. The last two events took place in communist Poland, so there was no doubt about the outcome, but it was a sober, well-managed affair, although the media (American included) sensationalized her as “a beast in a gorgeous woman’s body.” Eischeid agonizes over but never explains how an apparently normal person could turn into a monster. One survivor offers a frighteningly reasonable explanation: “She was a nobody. Suddenly she was a somebody. That explains it.”

The author provides few novel insights on the Holocaust but does deliver a vivid, painful record.

Pub Date: Dec. 26, 2023

ISBN: 9780806542850

Page Count: 400

Publisher: Citadel/Kensington

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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