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YOU SAVED ME, TOO

WHAT A HOLOCAUST SURVIVOR TAUGHT ME ABOUT LIVING, DYING, FIGHTING, LOVING, AND SWEARING IN YIDDISH

A poignant, memorable story of friendship and of a period in time that should never be forgotten.

Stirring story of the tender and unusual friendship between a Holocaust survivor and a woman 40 years his junior.

Resnick (Creative Nonfiction/Brown Univ., Goodbye Wives and Daughters, 2010, etc.) expertly interweaves both sides of her 15-year friendship with Holocaust survivor Aron Lieb. She intersperses bits and pieces of Aron's life in the camps with her feelings about Judaism, her family life and her steadfast belief that the world should do right by her friend, a man who had suffered more than enough. Told in a nonsensational manner, the narrative provides readers with insights into the daily life of a Jew in the concentration camps: the lack of food and clothing, the brutality and illogical tortures, the endless work and the overwhelming determination to survive. Throughout the book, Resnick refers to Aron as “you,” and the back-and-forth conversations between the two companions continue as swirled snippets of memories of "your" somewhat normal life after the war. "Who will remember once your tattoo is gone?" writes the author. "When you die…that symbol will be buried with you. The numbers will decompose. You will come unmarked…then the forgetting will truly commence." Nightmares and anxiety attacks prevailed as Aron grew older, and he continued to struggle with the heart-rending grief of losing most of his family in the camps. Resnick and her family became the family Aron lost, and the author was single-minded in her efforts to provide a respectful death for her friend. Resnick’s compassionate prose captures the voice and soul of Aron, ensuring that his memories will continue long after the number "141324" has disappeared.

A poignant, memorable story of friendship and of a period in time that should never be forgotten.

Pub Date: Oct. 6, 2012

ISBN: 978-0-7627-8038-9

Page Count: 240

Publisher: Skirt! Books/Globe Pequot

Review Posted Online: July 16, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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