A poignant, memorable story of friendship and of a period in time that should never be forgotten.

YOU SAVED ME, TOO

WHAT A HOLOCAUST SURVIVOR TAUGHT ME ABOUT LIVING, DYING, FIGHTING, LOVING, AND SWEARING IN YIDDISH

Stirring story of the tender and unusual friendship between a Holocaust survivor and a woman 40 years his junior.

Resnick (Creative Nonfiction/Brown Univ., Goodbye Wives and Daughters, 2010, etc.) expertly interweaves both sides of her 15-year friendship with Holocaust survivor Aron Lieb. She intersperses bits and pieces of Aron's life in the camps with her feelings about Judaism, her family life and her steadfast belief that the world should do right by her friend, a man who had suffered more than enough. Told in a nonsensational manner, the narrative provides readers with insights into the daily life of a Jew in the concentration camps: the lack of food and clothing, the brutality and illogical tortures, the endless work and the overwhelming determination to survive. Throughout the book, Resnick refers to Aron as “you,” and the back-and-forth conversations between the two companions continue as swirled snippets of memories of "your" somewhat normal life after the war. "Who will remember once your tattoo is gone?" writes the author. "When you die…that symbol will be buried with you. The numbers will decompose. You will come unmarked…then the forgetting will truly commence." Nightmares and anxiety attacks prevailed as Aron grew older, and he continued to struggle with the heart-rending grief of losing most of his family in the camps. Resnick and her family became the family Aron lost, and the author was single-minded in her efforts to provide a respectful death for her friend. Resnick’s compassionate prose captures the voice and soul of Aron, ensuring that his memories will continue long after the number "141324" has disappeared.

A poignant, memorable story of friendship and of a period in time that should never be forgotten.

Pub Date: Oct. 6, 2012

ISBN: 978-0-7627-8038-9

Page Count: 240

Publisher: Skirt! Books/Globe Pequot

Review Posted Online: July 17, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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