An often engaging story of a war veteran that’s optimistic and harrowing, by turns.
A daughter tells the story of her late father’s experiences as a bombardier in World War II.
When debut author Gemmill was young, she was curious about her father Bill’s military service, but his stories “focused mostly on the fun parts” and left out memories “still too painful to resurrect.” After she had a grown child of her own, however, her father was finally ready to expand on the events of his wartime experience. In this memoir, Gemmill retells these stories. Like so many high school seniors in the aftermath of Pearl Harbor, Bill waited in an Army recruiting line that stretched multiple blocks in his Chicago neighborhood in the spring of 1942. Although he received a deferment to play college football at DePauw University on scholarship, the crash of a ferried bomber behind his fraternity house prompted him to enlist in the Army’s aviation cadet program. As a cadet commander at the Hollywood, California–adjacent Santa Ana Army Air Base, Bill attended a concert on base by jazz master Duke Ellington and a dinner with movie star Dorothy Lamour. By 1944, his service took him to Morocco, Tunisia, Italy, and Hungary, where he would earn the Distinguished Flying Cross, the Legion of Merit, and an array of other medals. In short, engaging chapters, this book takes readers from lighthearted, humorous anecdotes about music and food to deathly serious tales of dramatic events, such as a plane crash that left Bill temporarily stranded in Yugoslavia. Gemmill’s sanguine writing style reveals her to be a skilled storyteller who shows great pride in her father’s accomplishments. But although the book is immensely readable, some historical purists may take issue with some of the author’s choices, which include using fictional names for real-life figures and inventing dialogue. The book also features original poetry by the author as well as an ample assortment of family photographs and scrapbook material, which will immerse readers in the particulars of her father’s service.
An often engaging story of a war veteran that’s optimistic and harrowing, by turns.Pub Date: N/A
ISBN: N/A
Page Count: 350
Publisher: Merry Dissonance Press, LLC
Review Posted Online: March 3, 2021
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A charming and often poignant valediction from rock ’n’ roll’s Prince of Darkness.
The late heavy metal legend considers his mortality in this posthumous memoir.
“I ain’t ready to go anywhere,” writes Osbourne in the opening pages of his new memoir. “It’s good being alive. I like it. I want to be here with my family.” Given the context—Osbourne died on July 22, 2025, two weeks after the publisher announced the news of this book—it’s undeniably sad. But the rest of the text sees the Black Sabbath singer confronting the health struggles of his last years with dark humor and something approaching grace. The memoir begins in 2018; he wrote an earlier one, I Am Ozzy, in 2010. He tells of a staph infection he suffered that proved to be the start of a long, painful battle with various illnesses—soon after, he contracted a flu, which morphed into pneumonia. A spinal injury caused by a fall followed, causing him to undergo a series of surgeries and leaving him struggling with intense pain. And then there was his diagnosis of Parkinson’s disease, the treatment of which was complicated by his longtime struggle with alcohol and drug addiction. Osbourne peppers the chronicle of his final years with anecdotes from his past, growing up in Birmingham, England, and playing with—and then being fired from—Black Sabbath, and some of his most well-known antics (yes, he does address biting the heads off of a dove and a bat). He writes candidly and regretfully about the time he viciously attacked his wife, Sharon—the book is in many ways a love letter to her and his children. The memoir showcases Osbourne’s wit and charm; it’s rambling and disorganized, but so was he. It functions as both a farewell and a confession, and fans will likely find much to admire in this account. “Death’s been knocking at my door for the last six years, louder and louder,” he writes. “And at some point, I’m gonna have to let him in.”
A charming and often poignant valediction from rock ’n’ roll’s Prince of Darkness.Pub Date: Oct. 7, 2025
ISBN: 9781538775417
Page Count: 368
Publisher: Grand Central Publishing
Review Posted Online: Oct. 7, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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