A typical visit to the town of Happily Inc.—sexy, connected, emotional, and fun.

WHY NOT TONIGHT

Sent by the gallery where she works to check on a taciturn artist in his isolated hilltop home in the middle of a rainstorm, Natalie Kaleta winds up stranded.

Ronan Mitchell moved to Happily Inc., California, after learning he was his artist father's illegitimate son. Raised by his father and his wife alongside their four legitimate sons, Ronan feels betrayed and confused and has distanced himself from his family, including the two brothers who followed him to the town. All three are renowned artists and share studio space attached to a gallery that carries their work. It’s not unusual for Ronan to be out of contact, but when he’s unreachable for too many days, gallery assistant Natalie is sent to check on him in his mountain home during a violent storm, then finds herself stranded due to blocked roads. Forced to spend a few days together, Ronan and Natalie have a delightful time and clearly share an intense chemistry. The two begin an affair that spills into their lives in mostly positive ways. Ronan is moved by Natalie’s determined optimism, especially after he discovers her own heartbreaks and watches her own struggle as an artist. Natalie pulls Ronan out of his gloom, inching him back into a social life and his brothers’ lives. A family reunion reopens wounds, though, and Ronan realizes he faces losing everyone he loves if he can’t work through his hurt. Mallery’s next Happily Inc. title rounds out the Mitchell family saga in satisfying fashion, and Natalie’s bright, cheerful attitude is the perfect antidote to Ronan’s self-absorbed moodiness, which occasionally weighs the book down. As usual in this series set in destination-wedding magnet Happily Inc., the central wedding of the book adds a fun touch, bringing texture and community to the story along with check-ins from favorite characters.

A typical visit to the town of Happily Inc.—sexy, connected, emotional, and fun.

Pub Date: Sept. 18, 2018

ISBN: 978-1-335-47460-5

Page Count: 384

Publisher: Harlequin HQN

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

Did you like this book?

No Comments Yet

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

Reader Votes

  • Readers Vote
  • 216

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

Did you like this book?

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

Reader Votes

  • Readers Vote
  • 15

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 6, 2014

Did you like this book?

more