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LORNE

THE MAN WHO INVENTED SATURDAY NIGHT LIVE

A top-shelf showbiz biography.

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How a Canadian joke writer became American comedy royalty, and worked to keep his crown.

Any book about Lorne Michaels is inevitably a book about Saturday Night Live, the comedy program he created and (excepting one disastrous hiatus) has led for 50 seasons. Few TV programs are better documented than SNL—especially its brash and druggy early years—and Morrison, articles editor at the New Yorker, covers the relevant highlights. But she also offers an engrossing story about Michaels’ rise, celebrity, and philosophy of comedy. Raised in Toronto, he married into Canada’s comedy scene—his first wife was the daughter of a top Canadian gag duo. Eager to escape the country’s provincial scene, he headed for America but chafed at working for squares like Phyllis Diller; a fortuitous connection with a rising Lily Tomlin earned him a reputation as a judge of comic talent and an eager iconoclast. Each of the book’s seven sections opens on one day in the manic life of a 2018 episode of the show, which reveals Michaels as being hands-on with every element of the show, from lighting to soothing cast members’ egos. But it also reveals him as a sphinxlike figure, an inveterate name-dropper who never fires anybody directly and makes guest-host choices, like Donald Trump and Elon Musk, that sometimes infuriate his left-leaning cast. (Michaels notes that as a national show, SNL needs to take a pox-on-all-their-houses posture.) Morrison soft-pedals some elements of Michaels’ history—whether he might have intervened more when John Belushi and Chris Farley were spiraling, the show’s weak record on diversity, his failed marriages—but the book isn’t hagiography, chronicling his tussles with network execs and various film flops. Morrison does a fine job of revealing a leader who keeps his cards close to the vest, which is both a temperament and a survival tactic.

A top-shelf showbiz biography.

Pub Date: Feb. 18, 2025

ISBN: 9780812988871

Page Count: 640

Publisher: Random House

Review Posted Online: Dec. 13, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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