GHOST SONG

Do you remember, asks the narrator-cat here, winding its golden chain around the tree, how the jealous shaman Kuzma killed the witch Chingis, and in the end spent his days as a hammer, pounding an anvil? That was another tale (Ghost Drum, 1987). Here, Kuzma (with ``Loki's heart in his breast'') claims as his apprentice Ambrosi, born ``sable, snow and blood,'' as his trapper father, Malyuta (slave to the czar), wished. But though Kuzma woos him in dreams and his extraordinary storytelling gift marks him as a born shaman, Ambrosi refuses to answer Kuzma's call. Meanwhile, Kuzma curses a tribe of the reindeer people (Lapps), transforming them into wolves who kill Malyuta, thus luring Ambrosi into the Ghost World to release Malyuta's spirit and break the spell on the few surviving Lapps. Still, Ambrosi refuses to be Kuzma's apprentice, choosing instead to remain in the Ghost World. Price's language retains the power and poetry of the earlier story, which won a Carnegie. But if Ghost Drum was a mosaic of jagged passions picked out in gold and vivid color, this is a starkly mythic tale in midnight black, icy white, and blood-red. Powerful, amoral, and capricious, Kuzma is thwarted by Ambrosi's native integrity and his love for his father, but there's little hint here of redemption. A dark, enigmatic tale, product of a powerful imagination. (Fiction. 12+)

Pub Date: Sept. 30, 1992

ISBN: 0-374-32544-8

Page Count: 160

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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BETWEEN TWO FIRES

BLACK SOLDIERS IN THE CIVIL WAR

Brought together in what novelist Hansen (Which Way Freedom?, 1986) calls a ``great experiment,'' black troops in the Civil War faced not only enemy armies but their own side's vicious racism while proving their ability. They had already fought in every previous American war, but never in permanent units; faced with a manpower shortage, Lincoln overcame his reluctance and allowed black companies to form—though some had to assemble and march in secret to avoid civilian riots. Quoting frequently from contemporary sources, Hansen describes their recruitment, their struggle for proper pay, supplies, and training, and their heroic performance in dozens of actions. She contends that, for them, the war had no complex causes: first, last and always, it was a crusade against slavery. Her methodical, well-documented study is ranges wider than Cox's Undying Glory (about the Massachusetts 54th Regiment). Murky b&w photos and reproductions; notes; substantial bibliography; index. (Nonfiction. 12+)

Pub Date: April 1, 1993

ISBN: 0-531-11151-2

Page Count: 160

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 15, 1993

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A change of pace from the teeming swarms of fantasy and paranormal romance but too underpowered to achieve escape velocity.

FUTUREDAZE

AN ANTHOLOGY OF YA SCIENCE FICTION

A low-wattage collection of original stories and poems, as unmemorable as it is unappealingly titled.

The collection was inspired by a perceived paucity of short science fiction for teen readers, and its production costs were covered by a Kickstarter campaign. The editors gather a dozen poems and 21 stories from a stable of contributors who, after headliners Jack McDevitt and Nancy Holder, will be largely unknown even to widely read fans of the genre. The tales place their characters aboard spacecraft or space stations, on other worlds or in future dystopias, but only rarely do the writers capture a credibly adolescent voice or sensibility. Standouts in this department are the Heinlein-esque “The Stars Beneath Our Feet,” by Stephen D. Covey & Sandra McDonald, about a first date/joyride in space gone wrong, and Camille Alexa’s portrait of a teen traumatized by a cyberspace assault (“Over It”). Along with a few attempts to craft futuristic slang, only Lavie Tidhar’s fragmentary tale of Tel Aviv invaded by successive waves of aliens, doppelgangers, zombies and carnivorous plants (“The Myriad Dangers”) effectively lightens the overall earnest tone. Aside from fictional aliens and modified humans, occasional references to dark skin (“Out of the Silent Sea,” Dale Lucas) are the only signs of ethnic diversity. Most of the free-verse poetry makes only oblique, at best, references to science-fictional themes.

A change of pace from the teeming swarms of fantasy and paranormal romance but too underpowered to achieve escape velocity. (author bios) (Science fiction/short stories. 12-14)

Pub Date: Feb. 12, 2013

ISBN: 978-0-9847824-0-8

Page Count: 290

Publisher: Underwords

Review Posted Online: Dec. 13, 2012

Kirkus Reviews Issue: Jan. 1, 2013

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