A useful biographical portrait of an intriguing writer.
A literature scholar investigates the Jewish identity of novelist Irène Némirovsky (1903-1942).
Drawing on biographical and historical evidence, Suleiman (Civilization of France, Comparative Literature/Harvard Univ.; Crises of Memory and the Second World War, 2006, etc.) homes in on a question that has disturbed some critics and readers: whether Némirovsky was a self-hating Jew. In responding to that question, Suleiman creates a nuanced portrait of a secular, assimilated Jew, a woman who identified most strongly as a member of the French intelligentsia. Born into a Ukrainian Jewish family, Némirovsky immigrated with them to France in 1919. Ten years later, married and a mother, she published her first novel, David Golder, to exuberant acclaim. The book became a bestseller and, writes Suleiman, “made her, virtually overnight, into a famous writer as well as a highly respected one.” Two novels quickly followed, and David Golder was made into a play and a film. Némirovsky’s prominence fueled her ambitions to join France’s literary establishment, and she coveted the prestigious Prix Goncourt. That honor, however, could be awarded only to a French citizen, but for reasons Suleiman cannot explain, Némirovsky and her husband put off applying for citizenship. As foreign Jews, the couple became increasingly aware of their perilous state, which likely impelled them, in 1939, to convert to Catholicism and have their daughters baptized. Both daughters later said that security was their parents’ primary reason for conversion. Critics who question Némirovsky’s connection to Judaism cite her creation of some stereotypical Jewish characters and, more damning, her continued publication in a journal that spewed anti-Semitism. Suleiman maintains, however, that the journal’s political views were separate from their literary selections; furthermore, at the time, Némirovsky desperately needed money, especially after her husband was fired from his job because he was Jewish. Besides research in published and archival sources and close readings of the writer’s works, Suleiman draws on interviews with Némirovsky’s surviving family members to offer an intimate, perceptive portrait of a complex woman and her times.
A useful biographical portrait of an intriguing writer.Pub Date: Nov. 22, 2016
ISBN: 978-0-300-17196-9
Page Count: 392
Publisher: Yale Univ.
Review Posted Online: Sept. 5, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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