Straight reminds us of where we have been and where we are going without once looking away.
A Covid-19 novel but also so much more.
Opening during the spring of 2020, this book refracts the early days of the pandemic with the acuity of a laser, not unlike Straight’s previous novel, Mecca (2022). But if this is the situation of the narrative, its story is the complexity of love and longing, the edgy insistence of the human heart. Straight begins by focusing on three Covid nurses—Cherrise, Larette, and Marisol—who for the safety of their families have been moved to a small trailer park erected near the hospital where they work in the ICU. “They say we’re gonna get it under control. I’ll be back to get you in August,” Cherrise tells her 15-year-old daughter, Raquel, after leaving her with relatives. And yet, it is impossible to read this exchange without recalling the fear and trembling of that moment, in which time felt as if it had lost its shape. Straight makes this idea explicit by reintroducing Highway Patrol officer Johnny Frias, a major character in Mecca, who comes to play a significant role in this new work after Raquel disappears. Don’t be misled, though: This is no mere sequel, but what we might imagine as a parallel text, an adjacent set of stories taking place in a world where linearity, chronology, have become words from a different lexicon. This simultaneity makes the relationship between the novels nuanced and compelling, a broadening rather than a lengthening. It’s an astonishing move, one that feels true both to the moment of the action and the moment in which we are reading, the aftermath of a crisis, or a series of crises, that has not fully gone away.
Straight reminds us of where we have been and where we are going without once looking away.Pub Date: Oct. 28, 2025
ISBN: 9781640097131
Page Count: 352
Publisher: Counterpoint
Review Posted Online: June 5, 2025
Kirkus Reviews Issue: July 15, 2025
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
SEEN & HEARD
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